Let's Talk Computer Audio

So any study that arrives at results you don't agree with is invalid?

You misread my conclusion, probably because you just read it and answered too fast. No where I said it was invalid, just referred that others arrived at different conclusions.

Anyway I consider all the opinions I have been exposed and then weight my conclusions and thoughts according to my limited knowledge about the my personnel view of credibility of the source. This is an audio forum where many experts, professionals and enthusiasts write their findings and opinions, many time disagreeing. Most do it politely, some with strong knowledge about the subject and post, others not.
 
So any study that arrives at results you don't agree with is invalid?

Pretty much.


It seems some people are reading this forum through broken headphones :) - I only referred that since the study concluded for the negative of the differences between formats it can not be taken as a proof of the superiority of the instrument for evaluation. My comment was directed to Amir post, not to the study.
 
When using headphones could it be that taking away the room distribution of direct Vs reflected sound puts us in a different acoustic space - one that is less natural & more difficult for our perceptions to interpret? Our brain is always interpreting the acoustic space we are in - with speakers the interaction with the room is the acoustic space through which we percieve the reproduced musical event. With headphones, there is a very different & unnatural acoustic space which may be a factor?

It could. And if this sub-conversation were about room effects and their impacts upon human perception, that would be relevant; it is not. It is about differentiating very small variations in recordings and reproduction. Every element of reproduction that could differentiate them is present in headphone playback. How those elements play upon our senses in-room vs. in-ear is another subject; a subject in which anyone with a modicum of objectivity would tell you that room effects would likely reduce, not enhance any ability to differentiate the very subtle. If there is a logical or even practical argument to the contrary, I haven't seen it here. What I've seen is the audiophile equivalent of a politician, without a good answer to the question at hand, simply answering a question he likes, that hasn't been asked.

Tim
 
When using headphones could it be that taking away the room distribution of direct Vs reflected sound puts us in a different acoustic space - one that is less natural & more difficult for our perceptions to interpret? Our brain is always interpreting the acoustic space we are in - with speakers the interaction with the room is the acoustic space through which we percieve the reproduced musical event. With headphones, there is a very different & unnatural acoustic space which may be a factor?

It is my point - how do you check for information that shows in some type of listening with an instrument that suppresses it?
We are able to find information in old analog recordings that we were not able to find decades ago. If listening tests were carried today using this old equipment the results would be different that using current SOTA.
 
What I've seen is the audiophile equivalent of a politician, without a good answer to the question at hand, simply answering a question he likes, that hasn't been asked.

Tim

Tim,

Apologies, IMHO you have seen wrong. It is much deeper than simple oversimplifying logic can suggest.
 
It could. And if this sub-conversation were about room effects and their impacts upon human perception, that would be relevant; it is not. It is about differentiating very small variations in recordings and reproduction. Every element of reproduction that could differentiate them is present in headphone playback. How those elements play upon our senses in-room vs. in-ear is another subject; a subject in which anyone with a modicum of objectivity would tell you that room effects would likely reduce, not enhance any ability to differentiate the very subtle. If there is a logical or even practical argument to the contrary, I haven't seen it here. What I've seen is the audiophile equivalent of a politician, without a good answer to the question at hand, simply answering a question he likes, that hasn't been asked.

Tim

Tim, I'm talking about the fact that being in an unnatural acoustic space (headphones) our mind is subconciously busy constantly trying to make sense of it & as a result we miss the musical cues that we can easily pickk up when we are not so pre-occupied with trying to make sense of this acoustic space (speakers + room). It's a question of which is easier to decipher, they both have the same signals but one is presented mpre naturally.

You really are just falling back on the old worn out mantra - if it can be heard then it can be measured - why not dispense with the headphones & just measure?
 
Vincent,

We are reading different opinions on the audibility of the players from members with different listening habits such as:

(...) For the record, I do not think all players sound the same. I just don't know why.

For the record, I've A/B'd straight iTunes and Amarra (and Pure Audio), which was hailed as the audiophile breakthrough in CA, with my best recordings on multiple highly resolving headphone sets and they sounded exactly the same. I just don't know why. I take some comfort in the fact that no one else seems to know why either. I also take it as a sign. YMMV. Do they all sound the same? I couldn't say as I haven't heard them all.

Tim

It seems natural to debate weather headphone listening is the ultimate and only tool to evaluate computer audio sound quality.

Or should we restrain ourselves to "do not know", 0's, 1's, ns and ps in this thread? ;)
 
BTW, the outcome summary of the study you refer was "These listening tests indicate that as a rule, no significant differences could be heard between DSD and high-resolution PCM (24-bit / 176.4 kHz)", something that many people on this forum do not accept. So IMHO this study does not validate headphone listening as a the ultimate tool for checking differences.
It is not necessary for them to accept that in the context of what we are talking about. What is necessary is to acknowledge that in such at test, four people who may have heard the difference, used headphones. If speakers are that much better, the data should have been the other way around. That data as I mentioned, also agrees with my own personal experience so for me, it is quite a validation.

BTW, there is one area where speakers make a difference and that is feeling the impact of bass. Sometimes that accentuates a difference in bass that is not as audible with headphones.

Back to the conclusion of that test, it says that only 2.4% of the people would possibly hear the difference in a "non-BS" test of the formats. :) My sense is that far fewer people hear the actual difference than they think they do. In my previous job, we routinely tested audiophiles to see if they had better than average hearing ability in detecting distortions. Sadly, they appear to be no better than general public. Our trained listeners who were NOT audiophiles could easily outperform them in such tests. I know this is a tough pill to swallow but it has to be correct. Or else, we would have tons of double blind tests pointing to audiophiles hearing such differences as opposed to dearth of them. Our expert listeners would pass such tests in double blind so the test fixture did not stop them from searching and finding what we say is harder for audiophiles to do :).
 
:). I think for this topic though, it is necessary to help people sort through whether they need "audiophile" players or not. For me it is simple: whatever player you use must do automatic sample rate switching. It just makes no sense to have the system convert the sample rate when we are talking about the audience in this forum. Shame on me for not forcing my team at Microsoft to have provided an easy path for this. Instead, they did the opposite with Windows by default resampling everything, including 44.1 Khz CD to 48 Khz! :( I reset that to 44.1 Khz and then manually switch to higher sampling rate for my content. I have used foobar and Jriver and can't stand the usability of either but if others are happy with them, then that is the way to go. iTunes resampler from some measurements I saw a while back were pretty bad (worse than Windows from what I recall) so it should be avoided somehow.

My suggestion for Steve is set the sample rate to 44.1 Khz and use iTunes for playback as a test. Compare it to your stand-alone player and see what the difference in quality is. Then examine if another player merits extra expense.
 
I have used foobar and Jriver and can't stand the usability of either but if others are happy with them, then that is the way to go.

When it the last time (version) you used Jriver? A lot of people (including me) would rank them #1 in usability. Jremote is also best in class.
 
It is not necessary for them to accept that in the context of what we are talking about. What is necessary is to acknowledge that in such at test, four people who may have heard the difference, used headphones. If speakers are that much better, the data should have been the other way around. That data as I mentioned, also agrees with my own personal experience so for me, it is quite a validation.
(...)


Amir,

Although I respect your personal experience, very little is said about the speaker, system and room that were used in these tests. Just a quick reference to the speaker manufacturer, and control room respecting some professional specifications. And the tests focused mainly in simple instruments and vocals, with a track featuring some group string playing

The question is not if speakers are much better, just if they can show some differences that headphones do not show easily. This does not make them better - I can easily accept that headphones show differences that speakers do not show. The main question is one of them being the exclusive instrument, making the other redundant.

Since you introduce your personal experience in this thread, can I ask you about your personal opinion about the audibility of differences
between CD, PCM hi-rez and DSD, using any listening method?
 
micro, I didn't know that you used CA in your system. What is it composed of
 
Tim, I'm talking about the fact that being in an unnatural acoustic space (headphones) our mind is subconciously busy constantly trying to make sense of it & as a result we miss the musical cues that we can easily pickk up when we are not so pre-occupied with trying to make sense of this acoustic space (speakers + room). It's a question of which is easier to decipher, they both have the same signals but one is presented mpre naturally.

You really are just falling back on the old worn out mantra - if it can be heard then it can be measured - why not dispense with the headphones & just measure?

While Vincent’s point about thread drift is well-taken, I’m going to try one more time for clarity because you and I and micro seem to be having at least two different conversations. I’m not trying to “make sense of the acoustic space” of headphones and I doubt anyone is. We readily understand that it’s different and we rapidly adapt as we move from room to room to car to ear buds to reference headphones. And I’m not talking about measurement. If I were, and you and micro were willing to accept measurements, this discussion would already be over. I don’t speak for Amir, but I think all we’re talking about, as it relates to computer audio and what is important therein, is listening for audible differences.

Let me exemplify to see if that helps:

Let’s say we have two DACs -- yours and Benchmark’s. We believe, from our casual, subjective listening, that yours has a quieter background and resolves high frequency attack transients faster and better. We think we hear that advantage manifesting itself, in our listening room, as better, more subtle dynamics, a greater sense of depth, and as more precise imaging, and a more palpable presentation of voice/instrument positioning in front of us. We’re pretty sure this is what we hear, but it’s subtle, and we want to verify that there is a difference there, and that we can identify it, even when we can’t see which DAC is playing. To give ourselves every chance of identifying a difference, we’d like to remove any room effects that might dull the differences; therefore headphones. Bear with me. I know I’m asking you to suspend your prejudice against headphones and pretend for a moment that you believe in blind listening tests.

You get ahold of a highly resolving headphone rig and test with the same recordings you heard the differences on in the first place. You don't hear exactly the same thing, of course, because you don’t have exactly the same listening space. In this case the stage is wrapped around the front of your head, not laid out in front of you in a plane. And it is very quiet in there, allowing you to hear subtleties you may only hear through speakers at high volume in an anechoic chamber. Instead of resulting in a greater sense of depth – a nice perception, indeed – that “depth” is a bit more easily identified as subtle variations in volume and the mix of ambient vs. more direct sound. And instead of hearing the instruments and voices more clearly positioned in the plane in front of you, that plane wraps around you, as if you, the listener, are at the center of a half circle being created by the band.

Yes, it is different, but you still hear that your DAC has a blacker background and better resolution of attack transients. You’re not having any trouble adapting to the new “space” because, while it is different, as a human you adapt to radically different acoustic spaces all the time. And best of all, you can differentiate between the samples quite well, perhaps partially because you’re listening for differences in complete quiet isolation. You and all of your test subjects can differentiate between the two DACs more than 90% of the time, and better yet, they prefer your DAC over the Benchmark by 93%!

Your marketing department is thrilled as they can now publish ads on audiophile sites all over the internet saying that your DAC beat Benchmark’s in blind listening tests.

Oh, and by the way, micro? Nobody said headphone listening is "the ultimate and only tool to evaluate computer audio sound quality." Except for you, just now. We're just arguing that it's valid. Back to your normally scheduled programming. I’ve done all I can do here.

Tim
 
micro, I didn't know that you used CA in your system. What is it composed of

I have tried it sometime ago, but was not pleased with the result - whatever I did my current CD always sounded better playing CD's in my system. I built two music servers, bought licenses for JRiver, tried two DACs/systems and gave up.

I am considering trying again as DSD and HiRez PCM are presenting more than a few tittles that interest me now. It is why I read and entered the thread. But if the only opinion I can get is that all sound the same and audiophiles are just people with a lot of disposable money to spend, I will look elsewhere, mostly as it was not what I experienced.
 
Since you introduce your personal experience in this thread, can I ask you about your personal opinion about the audibility of differences
between CD, PCM hi-rez and DSD, using any listening method?
I have a preference for hi-res, not because of technical differences due to specs, but because it gives me the master as it was created. I can convert it myself to 44.1 Khz if I want. No reason for them to try to do that for me and possibly not understand how to dither it. And at any rate, I think 44.1 Khz was a mistake. The right answer was 48 KHz which was readily available just the same. 44.1 Khz is just too close for comfort on principal :). Importantly, high-res has a shot at not being compressed which may be the most important reason to adopt it, assuming proper quality control is there to make sure that is the case. In the Moran et. al. test where they attempted to show no value to higher resolution, they readily acknowledged that the formats were produced differently and high-res packaged media did have superior sound, in their opinion, despite its specs.

Put simply then, I think the fidelity of high-res may be much better than the CD due to logistics of how it is produced. For that reason, any system we put together must be able to deal with its higher sampling rate and resolution and hence my last post.
 
Hi

I am with AMirm, I also believe that our tendencies are getting the best of us and is in the way of enjoying music. Playing music through a computer brings a degree of ergonomics that nothing else matches. The bonus are that performance is extremely high usually superior to dedicated tranports ... and it is not even expensive. You plunk less than 1 K (much less in most instances) to get a dedicated laptop , you feed the feed the bits to your DAC through an asynchronous converter and you control the darn contraption with an iPad or Android tablet. Total cost less than 2K.. My last CD transport .. I repeat CD Transport was a cool $15,000 and I am sure that my present GK Music Server would be its superior plus it plays anything ... Hi _Res .. Have not cared about DSD that much yet ... THe GK Music Server cost ... about $500 and a few hours of my time following simple directions ... An asynchronous USB to SPDIF converter range from less than $100 to over $3 K ... I have heard several and frankly can't find much differences between them so ... call me tin-eared but I doubt most people here would hear differences between them in a a blind test. Not saying there aren't ..they're small.

So to answer Steve: I understand you are an IOS person and that is OK .. Use an iPad for control :). Try the GK Music server abundantly documented in this very forum and if needs be Gary can help you ... It is cheap and works extremely well For asynchronous USB use the April Music Stello U3 about $50( it is I think compatible wit IOS so if you want to go Mac at all cost you are covered) and just use your current DAC with not a thought ... For player I recommend JRMC or Foobar JR is about $60 and Foo is free ... You control the darn thing with your iPad.

As for ripping .. DB Power amp does a great job.. Takes a while to get used to it but worth it less than $30 ...I don't know what works well on the IOS front for ripping

. Ripping sounds like a lot of work and it is .. I have come to take it slowly I rip CD as soon as I get them. The best way is to rip CDs every day .. Soon you are done the process is simple after all and for the most part error-free unless the CD is in bad shape ... rarely the case for an audiophile ...

Results? Music , lot of it .. Easily accessible and so practical you'll ask yourself why you didn't do it before ...
After you move to whatever canned or Apple IOS solution stroking your fancy, don't expect it to be automatically superior to the GK Server but you would already have your music on your Hard Drive ...

By the way the GK Music Server is the one concocted by our very own Gary L. Koh ... ;) .. Again... thanks Gary
 
(...) Oh, and by the way, micro? Nobody said headphone listening is "the ultimate and only tool to evaluate computer audio sound quality." Except for you, just now. We're just arguing that it's valid. Back to your normally scheduled programming. I’ve done all I can do here.

Tim

Oh, yes. You never said anything. You only "take things as a sign". Be assured I understood it. :)
 
Oh, yes. You never said anything. You only "take things as a sign". Be assured I understood it. :)

No, you didn't.If you're interested in understanding you'll want to go back and look at the context of that remark again. If you don't get it, PM me. We've taken up enough time here with this sidebar.

Tim
 

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