That´s good to hear! So if you are curious to try expensive tubes like the Tele 801S, you only need to invest in one.
But at the same time this means that the triodes need to be perfectly balanced inside the tube as each triode will cater for one channel. That´s pretty tough to find with NOS tubes.
I have read this comment as well. But when I asked this question to Anelli, I was forwarded to the tech guy from the German Aqua distributor. He was totally sure this is not the case and both tubes are being used at the same time - at least for the balanced connection. Therefore I also put in...
That´s a really unique room shape and speaker placement. It´s hardly comparable to normal room setups.
You wrote that you auditioned MBL and GP before. Were they auditioned in this room or in a regular room?
I would assume, if an MBL design does not work well in this room, a Bayz would also not...
That´s why I put the "might" in the sentence.
With horns (and other narrow dispersion concepts) it´s really hard to deal with the coloured first reflections. Ideally you would get rid of them through absorption. Hard reflective surfaces are a bit unforgiving here. Or if the room is large enough...
I just happened to come across this thread and would like to comment on the (mis)conceptions about omnis.
I am into the hobby for almost 25 years and have listened extensively to all kinds of loudspeaker concepts (including many horns). And I finally settled with omnis being the way to go for...
Again, regarding the Telefunken 801s:
It´s a tube with very special qualities, I have not fund anywhere else, yet. It delivers over the top resolution and a very holographic presentation. This might feel impressive at fist glance. But to my ears, it sounds somewhat artificial in those qualities...
The CV4024 are a special military type and were produced in large numbers. They are more readily available today. But the ones I have tested were significantly more mushy than all ECC81 labeled Mullards I tried. I have never had an older ECC81 from Mitcham, though, so I can´t tell for sure...
Wow, I am impressed that you tested the La Scala against the T+A 3100 HV generation and preferred the Aqua. Sure, the Aqua is the better value proposition, but I would have expected the T+A to come out on top.
The La Scala uses ECC81 type tubes, not ECC82. So you would need a Telefunken 801s...
I am now also using the LaScala MKII Optologik + LinQ in my system.
What I can confirm is that I don´t hear any distortion on the balanced XLR output (my concern after the review mentioned above).
Tried some different tubes in it. Did not like a Telefunken 801S and finally settled with older...
Do you really think cables can make that much of a difference?
My room has an unfortunate combination of characteristics. On the one hand it´s sucking out the region around 100-200Hz, where the warm body of voices lives and another suckout from 700-900Hz. And in addition to that, it´s...
Hi everybody,
it´s been about two years now that I have lived with the Courantes and I am still super happy with them. I feel absolutely no urge to upgrade speakers anymore, anytime soon. I have been playing around with electronics, room optimization etc. during the two years and I am slowly...
Did you compare balanced and unbalanced outputs of the La Scala Optologic?
There seemed to be some transformer issues leading to high distortion in the old Stereophile review of the formula when using the balanced output. The unbalanced output fared way better in this regard. Not sure if this...