I find this approach to a cartridge very interesting. I know strain gauges very well from my work with milling machines. I have often wondered whether this principle would be suitable for cartridges. I am pleased that this idea has already been realised. Maybe I can listen to one soon?
Right now Gary has an BM1 and a Lignum L for demonstration. We are now building two BM1s. One of them is going to the East Coast. Please contact Gary (gleeds in the forum) for more details.
Feel free to contact me for technical questions.
Sorry that my answer comes so late. Attached you will find a file showing the most important innovations on the M1 turntable. The text in the attachment is in German. Please pay attention to the drawing. Here is the translation of the text for you:
Platter:
The parts of the turntable are...
In another thread we came to the question of what considerations and experiments are made in the development of a turntable. Specifically, it was about the design of platters. In order not to deviate from the topic there, I was asked to open a new thread. Therefore, I would like to describe my...
If that's okay in WBF, I'll be happy to open a thread explaining my findings on platters. Whereby these things apply in principle also to the other parts of a TT.
No problem for me. I have the impression that the others are also interested when I explain my theory further.
If you are aware of the effects of the parameters mass, stiffness and damping, you can look at a platter and judge its vibration characteristics. The most common design in high-end...
It was not my intention to draw attention to the Ars Machinae turntable through my post. In German forums such a thing is not allowed at all. A direct comparison with another manufacturer would also be problematic. If it is allowed and desired here, I would of course like to answer the questions...
May I bring in a completely different point of view here. I am referring to the original question. A record player is a technical product whose properties are usually clearly visible from the outside. Its sound quality is directly related to the vibration behavior of its components. Therefore...
I am sorry to tell you that you have misunderstood something here. Overhang, offset angle, P2S, effective length and the position of the two points where the tracking error angle is zero are the parameters of the tonearm geometry. These are all directly related. I spent many hours studying these...
From the geometry, there is a clear relationship between the offset angle and the skating force. If the offset angle is zero, the skating force is also zero.