Introduction
Jonathan Grado, Vice President of Marketing at Grado Labs, of Brooklyn, New York, offered in November of 2019 to send to me the Lineage Series Epoch3, the new version of the Epoch moving iron cartridge, and the Grado Labs flagship cartridge. I replied that I would love to audition the new Epoch, but that my never-ending house (and thus also listening room) renovations still have not yet ended, and that therefore I have no system in which to insert the Epoch3.
Surprisingly, Jonathan asked if I have an audiophile friend whose system I know well enough to employ to audition the Epoch3. I replied that I live near a good friend whose system is analog only. That was good enough for Jonathan!
Glimmer of Magic
I heard the original version of the Epoch at a friend’s house in the Netherlands in 2018. That Epoch rode on a Reed 5T linear-tracking tonearm mounted on a TechDAS Air Force III Premium turntable. My friend at that time had three turntables and a total of six cartridge/tonearm combinations. Out of all of the combinations the Epoch on the 5T was my favorite. I believed (and my friend agreed) that the linear-tracking 5T was enabling the Epoch to achieve an airy, ethereal sound quality which, especially on vocals, appeared somehow to “free” the sound from the mechanical re-creation and the electronic amplification of the signal. On that tonearm and in that system, which included a Pass Labs Xs phono stage, an Alieno line stage pre-amplifier, and an Alieno LTD 250 amplifier driving Cessaro Zeta horn loudspeakers, I loved the Epoch. So I was excited to hear it again -- especially in its new incarnation.
The Reed 5T looks beautifully engineered and constructed, and I liked the way it sounded with the Epoch. But the 5T’s articulating wand and laser-guided mechanism also looks quite complex. While we were using the 5T a sunbeam shot through the blinds of my friend’s listening room at precisely the wrong angle and blinded the optical sensor on the 5T. The cartridge rocketed off the record like a cat dipping its tail in hot water! The Epoch was not damaged, but the experience was so unsettling to my friend that he sold the 5T shortly thereafter.
Every time I have heard a linear-tracking tonearm in any system I think I have had the impression of the high frequency “airiness” and delicacy that I heard from the Reed 5T. However, I think the linear-tracking tonearms I have heard may be achieving this beguiling sonic quality at the expense of the solidity and slam in the low frequencies offered by the best pivoting tonearms. Further comparative research between linear-tracking and pivoting tonearms is required to confirm these impressions.
Epoch3
During a follow-up call with John Grado, President and CEO of Grado Labs, and Jonathan’s father, John told me that the Epoch3 is only slightly different than the original Epoch, as the wood body, the motor, the cantilever and the stylus are the same. John upgraded the wire in the cartridge and simplified the electrical connections inside the cartridge. He believes these differences to be “significant.”
Was there ever an Epoch2? John wrote to me that after the release of the original Epoch, Grado "continued to work on quieting the signal path within the cartridge, we finished that and this was the Epoch2.” Then Grado developed a process of aging thermally the wooden housing. Adding this aging process to the signal path changes resulted in the Epoch3 designation. The Epoch2 never went into production. The retail price of the Epoch3 is US$12,000.
Jonathan Grado, Vice President of Marketing at Grado Labs, of Brooklyn, New York, offered in November of 2019 to send to me the Lineage Series Epoch3, the new version of the Epoch moving iron cartridge, and the Grado Labs flagship cartridge. I replied that I would love to audition the new Epoch, but that my never-ending house (and thus also listening room) renovations still have not yet ended, and that therefore I have no system in which to insert the Epoch3.
Surprisingly, Jonathan asked if I have an audiophile friend whose system I know well enough to employ to audition the Epoch3. I replied that I live near a good friend whose system is analog only. That was good enough for Jonathan!
Glimmer of Magic
I heard the original version of the Epoch at a friend’s house in the Netherlands in 2018. That Epoch rode on a Reed 5T linear-tracking tonearm mounted on a TechDAS Air Force III Premium turntable. My friend at that time had three turntables and a total of six cartridge/tonearm combinations. Out of all of the combinations the Epoch on the 5T was my favorite. I believed (and my friend agreed) that the linear-tracking 5T was enabling the Epoch to achieve an airy, ethereal sound quality which, especially on vocals, appeared somehow to “free” the sound from the mechanical re-creation and the electronic amplification of the signal. On that tonearm and in that system, which included a Pass Labs Xs phono stage, an Alieno line stage pre-amplifier, and an Alieno LTD 250 amplifier driving Cessaro Zeta horn loudspeakers, I loved the Epoch. So I was excited to hear it again -- especially in its new incarnation.
The Reed 5T looks beautifully engineered and constructed, and I liked the way it sounded with the Epoch. But the 5T’s articulating wand and laser-guided mechanism also looks quite complex. While we were using the 5T a sunbeam shot through the blinds of my friend’s listening room at precisely the wrong angle and blinded the optical sensor on the 5T. The cartridge rocketed off the record like a cat dipping its tail in hot water! The Epoch was not damaged, but the experience was so unsettling to my friend that he sold the 5T shortly thereafter.
Every time I have heard a linear-tracking tonearm in any system I think I have had the impression of the high frequency “airiness” and delicacy that I heard from the Reed 5T. However, I think the linear-tracking tonearms I have heard may be achieving this beguiling sonic quality at the expense of the solidity and slam in the low frequencies offered by the best pivoting tonearms. Further comparative research between linear-tracking and pivoting tonearms is required to confirm these impressions.
Epoch3
During a follow-up call with John Grado, President and CEO of Grado Labs, and Jonathan’s father, John told me that the Epoch3 is only slightly different than the original Epoch, as the wood body, the motor, the cantilever and the stylus are the same. John upgraded the wire in the cartridge and simplified the electrical connections inside the cartridge. He believes these differences to be “significant.”
Was there ever an Epoch2? John wrote to me that after the release of the original Epoch, Grado "continued to work on quieting the signal path within the cartridge, we finished that and this was the Epoch2.” Then Grado developed a process of aging thermally the wooden housing. Adding this aging process to the signal path changes resulted in the Epoch3 designation. The Epoch2 never went into production. The retail price of the Epoch3 is US$12,000.
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