No Simone...Do you guys switch off the power button on the back when rolling tubes?
No Simone...Do you guys switch off the power button on the back when rolling tubes?
No, never.Do you guys switch off the power button on the back when rolling tubes?
When I look at pictures of systems like this, unfortunately so often on WBF, my first reaction is one of mild horror. One has to understand a modicum of acoustics to properly set up a high end system. There are so many glaring issues. First, box speakers scrunched up against a corner, which is bare and not treated. Huge coloration from sidewall reflections. Second, bare floor that is highly reflective. Another absolute no no. You’re hearing the sound bouncing around the room far more than is good for your audio health. I could go on, but anyone who could afford gear like this should spend a bit to get professional help from an interior designer or sound engineer who could transform this system into one that is far more enjoyable. I see this over and over. Folks spend enormous sums of money on cable, tubes, electronics etc., but ignore the most important source of colorations, the listening room. That’s where I’d start in this case.Guys a bit of a help is needed for a good friend of mine as I'm kind of without a proper idea.
So his system is: NAT Transmitter monos, Kondo Preamp, Horizon DAC, CEC top transport and some Austrian speakers with active bass, TT I have no idea. Anyhow he loves the entire presentation but for example his TT rig he founds that it has tighter bass and a bit of a less of it which he likes. With digital he finds that mids and HF presentation is better than with analog rig. Now in H he's using Mullard ecc32, KR 5u4g and KT170 (which he liked more then OS1).
So question is - would you have any idea which tubes he could swap/roll to remain with the mids and HF he loves but reduce and tightens the bass response.
Not an easy one...
Thank You!
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Good on you for mentioning this! It's probably something that people just don't want to hear.When I look at pictures of systems like this, unfortunately so often on WBF, my first reaction is one of mild horror. One has to understand a modicum of acoustics to properly set up a high end system. There are so many glaring issues. First, box speakers scrunched up against a corner, which is bare and not treated. Huge coloration from sidewall reflections. Second, bare floor that is highly reflective. Another absolute no no. You’re hearing the sound bouncing around the room far more than is good for your audio health. I could go on, but anyone who could afford gear like this should spend a bit to get professional help from an interior designer or sound engineer who could transform this system into one that is far more enjoyable. I see this over and over. Folks spend enormous sums of money on cable, tubes, electronics etc., but ignore the most important source of colorations, the listening room. That’s where I’d start in this case.
You forgot to mention the flat TV screen in the middleWhen I look at pictures of systems like this, unfortunately so often on WBF, my first reaction is one of mild horror. One has to understand a modicum of acoustics to properly set up a high end system. There are so many glaring issues. First, box speakers scrunched up against a corner, which is bare and not treated. Huge coloration from sidewall reflections. Second, bare floor that is highly reflective. Another absolute no no. You’re hearing the sound bouncing around the room far more than is good for your audio health. I could go on, but anyone who could afford gear like this should spend a bit to get professional help from an interior designer or sound engineer who could transform this system into one that is far more enjoyable. I see this over and over. Folks spend enormous sums of money on cable, tubes, electronics etc., but ignore the most important source of colorations, the listening room. That’s where I’d start in this case.
I totally understand your point but not many have the luxury, despite the high investment into the gear, to have a separate room or fully/partially treated room to enjoy their more/less expensive audio gear. @takacs75 s mentioning flat screen in the middle - yeah i have it too as my gear is in the middle of the living room being used by entire family so compromises have to be made.When I look at pictures of systems like this, unfortunately so often on WBF, my first reaction is one of mild horror. One has to understand a modicum of acoustics to properly set up a high end system. There are so many glaring issues. First, box speakers scrunched up against a corner, which is bare and not treated. Huge coloration from sidewall reflections. Second, bare floor that is highly reflective. Another absolute no no. You’re hearing the sound bouncing around the room far more than is good for your audio health. I could go on, but anyone who could afford gear like this should spend a bit to get professional help from an interior designer or sound engineer who could transform this system into one that is far more enjoyable. I see this over and over. Folks spend enormous sums of money on cable, tubes, electronics etc., but ignore the most important source of colorations, the listening room. That’s where I’d start in this case.
Ok. As a rectifier if he doesn’t want to spend a fortune on ValvoG2504 I would suggest to try an AZ4, AZ12 or PV4200. Instead of the ecc32 maybe the c3g would be a good option in his system or the ef802. If he prefers Kt170 over OS1 I can’t really recommend power tubes.I totally understand your point but not many have the luxury, despite the high investment into the gear, to have a separate room or fully/partially treated room to enjoy their more/less expensive audio gear. @takacs75 s mentioning flat screen in the middle - yeah i have it too as my gear is in the middle of the living living room being used by entire family so compromises have to be made.
To move away from this discussion as there is no point to it - in his system as it is, everything is a constant and he enjoys the sound/system immensely with the SQ gap as indicated in my previous post above.
If possible remedy to the asked question can be achieved with the tube rolling in Horizon would be great, if not he'll have to live with it as is...
One more thing. We’ve experimented a lot with mixing power tubes. An identical pair on the left and an other type on the right. With that you can further fine tune the sound for your system and taste. We had great results with e55l or e81l on the left and P17c on the right. Best of both worlds.
indeed that works very well I have been doing that for the last 1 yr better still is to use 3 different tubes in 4 positions and also the blend up the tubes in the middle position as wellOne more thing. We’ve experimented a lot with mixing power tubes. An identical pair on the left and an other type on the right. With that you can further fine tune the sound for your system and taste. We had great results with e55l or e81l on the left and P17c on the right. Best of both worlds.
He's sticking to H1 as he does not have an itch to upgrade. But the idea from @David also is worth of exploring...Gollum. If he upgrades to 360, this issue will be worse.
Tubes can help a lot. The e55l are great for this
Guys a bit of a help is needed for a good friend of mine as I'm kind of without a proper idea.
So his system is: NAT Transmitter monos, Kondo Preamp, Horizon DAC, CEC top transport and some Austrian speakers with active bass, TT I have no idea. Anyhow he loves the entire presentation but for example his TT rig he founds that it has tighter bass and a bit of a less of it which he likes. With digital he finds that mids and HF presentation is better than with analog rig. Now in H he's using Mullard ecc32, KR 5u4g and KT170 (which he liked more then OS1).
So question is - would you have any idea which tubes he could swap/roll to remain with the mids and HF he loves but reduce and tightens the bass response.
Not an easy one...
Thank You!
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