miglto wrote to me and believes that Live in Paris is an analog recording, as he believes that Al Schmitt did not start recording in digital until around 2007.
For what it's worth, and it's probably not worth much, I don't think a digital recording from 2001 would sound as good as what I hear on this ORG LP.
I was preparing to write to Al Schmitt directly and ask him about this matter, but he died three years ago.
My point is, there are many, many reviews of the Steely Dan remasters from MoFi 45RPM known to be the best versions available (and other artists), but you will not consider purchasing them because they're A -> D-> A?
My point is, there are many, many reviews of the Steely Dan remasters from MoFi 45RPM known to be the best versions available (and other artists), but you will not consider purchasing them because they're A -> D-> A?
My point is, there are many, many reviews of the Steely Dan remasters from MoFi 45RPM known to be the best versions available (and other artists), but you will not consider purchasing them because they're A -> D-> A?
OK. Don’t pollute mine with your video debates which have now been rendered irrelevant due to rinse and repeat for 5 years. Your system thread, fyi, is much less interesting than Lagonda’s discussion. You really need to get some quality videos in for us to start paying attention instead of pulling up the same discussions over and over like digital, analog etc. you don’t even know how to look up vinyl vs digital history yet
I find it's good to have references, video, audio sites, friends, etc., most folks do. IME the MoFi One Step SD, Paul Simon and Muddy Waters (which I own) are exceptional sounding.
I used SD (that elevator music for those who can't appreciate phenomenal songwriting and musicianship ;-) ) as an example because that's one of the most internet - discussed and I have multiple all - analog versions which pale in comparison.