MIT speaker cables, SD vs HD - yet again
I have a few thoughts to share:
MIT speaker cables, SD vs HD: I wrote a while ago in these pages that SD is it for me. Apparently, as it now turns out, HD was simply exposing and accentuating sonic deficiencies upstream, and once these are cleared, the HD setting with these extra F.A.T poles works just fine and also as advertised: life-like transients. Moreover, the treble cleanliness (especially the metalic cymbal character) & treble dynamics that you heard are directly attributed to it, and not properly corrected by the SD network - I should have demonstrated this, it is quite easy to tell. Treble dynamics are particularly hard to render correctly by any component.
Back in 2016 I wrote the above. So much has changed since then, from the preamp, power amps, speaker panels, speaker crossover, DAC, analog, phono... and only the cables remain the same.
I have been playing in HD mode on the MIT speaker cables for months now, and experimenting yet again with SD. So it's time to call bullshit on what I wrote years ago. I was apparently trying to compensate for deficiencies. With a much more resolving system now, and ultra-clean treble, HD is clearly sounding etched and unnatural this time around. It is bearable and sometimes welcome when the recording is kinda veiled, but with truly stellar recordings, it's anything but natural; the sound is actually distorted with loud crescendos, like those in the RR Symphonic Dances.
SD is here to stay.
The funny thing is that my son noticed the other day, without having told him anything. "What did you change". We listened carefully to piano, and now having his own downstairs, he was so much into it. The kid was playing along. And that was digital through the Yggy2. This morning, he was gaga over the trumpets in the Proteus 7 Dorian CD that we have discussed before.
I really do have the Yggy2 to thank for guiding me in further voicing my modded Alpha DAC and speaker crossover, the SD/HD comparison here, and fixing the Pass XP-25 to be able to use its 76dB gain (over 66 dB, before) for an easily audible additional 2-3dB dynamic headroom, however subjective that estimate is.
One of the things I love about high end audio is the fact that, as much it is science, it is by so many other measures also high art.