I got a nice and unexpected ping from Bernice from the Spectral design team last night, and this is great news for all Spectral fans as I hope we should be able to get some insightful answers on our product questions, within the limits of what they can actually disclose:
So let me start by throwing my nagging questions...
Feel free to throw in your own questions. Attached, is a picture of a DMA-260 prototype they also sent me.
PS: I continue to find the DMA-360 Series 2's shockingly realistic with every piece of music I've been playing the last 9 months. Pure and utter emotion!
Keith and I spent a lot of time voicing and working out the sonics of this version of the DMA360. I'm new to this forum and the audio community in general even if Keith and I have been designing Spectral stuff for many years now.
I'm a more than a bit conflicted as to what I can discuss, but know that there are limits to what I can share about Spectral in general. With that in mind, I'm sure there are many questions that I might be able to answer within limits.
So let me start by throwing my nagging questions...
- What happened to products like the DMC-25 and SDR-5000?
- What are the benefits of fast amplification designs and what are the difficulties in managing such designs?
- What role does negative feedback play in these designs?
- What exactly is in those Spectral/MIT cables? The missing input and output filters?
- Why do we need filters _there_ - to optimize for the length purchased?
- Since those MIT/Spectral cables are no longer manufactured, what should potential buyers be buying?
- What can we expect from Spectral in the next few years?
Feel free to throw in your own questions. Attached, is a picture of a DMA-260 prototype they also sent me.
PS: I continue to find the DMA-360 Series 2's shockingly realistic with every piece of music I've been playing the last 9 months. Pure and utter emotion!
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