My Pinkfaun 2.16 ultra experience

Bacch is between pinky and your dac. I had it, and it was terrible, worst hifi experience happened to me.
I had decent stereo imaging prior to the BACCH but not perfect. The room measurement by the BACCH showed four major room nodes. The BACCH ORC (room correction) addressed the room nodes and I couldn't be happier. I had a well treated room with six Stillpoint Aperatures on the front wall, two GIK panels (fout total) at each side wall reflection, and three GIK ceiling panels prior to the BACCH. The Cube Nenuphars totally disappear now, when there is extreme dynamics the sound doesn't become congested since implementing the BACCH, the center fill of the soundstage is significantly improved and my system is more natural sounding. Each system is different.
 

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I'm a headphone guy with a BHSE driving Stax 9000 headphones. My plan is to first put my money into the upcoming Headamp Grand Cayman with the upgraded Pink Faun USB bridge. The Bacch system sounds so intriguing, but I guess I'll wait a bit.
 
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I had a question for the group. I‘m interested the Pink Faun 2.16 Ultra. I am currently using the BACCH4MAC Roon End Point processor that provides loudspeaker crosstalk and room correction. It's an excellent product and has won the Absolute Sound Product of the Year. The BACCH4MAC requires an Ethernet input so I think since the Pink Faun has two Ethernet ports (one for the input from my Router and Modem and a second for the output to the BACCH4MAC) it should work together. Can someone confirm that PK 2.16 Ultra would work in this configuratio?
I have no experience with the BACCH4MAC Roon endpoint. But when it is equipped with a RJ45 network input to function as a Roon endpoint, it can be seamlessly integrated directly with our 2.16 ultra. Our music server features two RJ45 ports on the rear panel: LAN 1 is designated for connection to your switch/router, while LAN 2 is intended for direct connection to your Roon endpoint (or BACCH4MAC Roon End Point).
 
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I had a question for the group. I‘m interested the Pink Faun 2.16 Ultra. I am currently using the BACCH4MAC Roon End Point processor that provides loudspeaker crosstalk and room correction. It's an excellent product and has won the Absolute Sound Product of the Year. The BACCH4MAC requires an Ethernet input so I think since the Pink Faun has two Ethernet ports (one for the input from my Router and Modem and a second for the output to the BACCH4MAC) it should work together. Can someone confirm that PK 2.16 Ultra would work in this configuratio?

This BACCH is an interesting product - fancy being able to remove crosstalk between speakers!

Do I understand correctly that there is a version called the BACCH SP which allow connections via USB (in and out). So the connections would be say a Pink Faun streamer -> BACCH SP -> DAC?

Can you describe the effect with this device in play and whether it changes the character of the system - do the speakers still have the same character (tonal balance, texture, details etc) as before or does it sound totally different?
 
Finally the long awaited Pink Faun Ultra USB bridge is complete and just about to be delivered to their first owners next week.

Last year 2023 when I found out about it, I visited Pink Faun in Rhenen to have a first look and wrote up about that visit is here. Being a long time Pink Faun user, I am fortunate to be in this first pre-production batch of 10 units.

It’s taken a little longer than planned but the team has taken the time to revise the locking lip of the USB Ultra’s aluminium case so it can fit both the current 2.16 Ultra streamer, which was what it was designed for, and the older 2.16x cases where full height cards usually needs some adjustment to fit. The Ultra card is 1.5x the width of a PCIe slot due to the new case which serves as an EMI shield and heat sink for the new super-capacitor power components and Ultra OCXO clock inside and so it will need 2 free full sized PCIe slots to fit. External power will be 5V/2A through what will probably be a 2.5mm barrel plug but there seems to also be an internal 4-pin Molex power socket too. It will be interesting to compare the internal Molex supply buffered by the super capacitors to a good external DC supply. This is significant since good DC supplies and their associated audiophile cables are not cheap.

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Jord informs me that the card will be officially launched on their website before the Munich show in May. The 2nd batch is sold out with units ready later this month and production of the 3rd batch is on the way. I’m told the current plan is to sell only to existing Pink Faun owners for €3250 ex. VAT making this probably the highest price USB card in existence!

Once I get my unit and have sometime with it, I will write my impressions about how it sounds. At this price, it is not a trivial purchase and it would have to out perform the existing v2 card substantially to make it worth the asking price. I recently found that the existing v2 card already outperformed the older v1/ultraOCXO card so this will be a difficult target to reach indeed. Let’s see soon!

Regards to all, Kin
 
This BACCH is an interesting product - fancy being able to remove crosstalk between speakers!

Do I understand correctly that there is a version called the BACCH SP which allow connections via USB (in and out). So the connections would be say a Pink Faun streamer -> BACCH SP -> DAC?

Can you describe the effect with this device in play and whether it changes the character of the system - do the speakers still have the same character (tonal balance, texture, details etc) as before or does it sound totally different?
The connections would be Roon end point—BACCH-SP—DAC. The tonal balance doesn’t change when the loudspeaker crosstalk cancellation is done but the tonal balance is improved by the room correction. The room correction address the room nodes. All I can say is previously complex dynamic tracks sounded compressed and distorted prior to the BACCH implementation. The soundstage is wider and deeper. Loudspeakers completely disapear.
 
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Finally the long awaited Pink Faun Ultra USB bridge is complete and just about to be delivered to their first owners next week.

Last year 2023 when I found out about it, I visited Pink Faun in Rhenen to have a first look and wrote up about that visit is here. Being a long time Pink Faun user, I am fortunate to be in this first pre-production batch of 10 units.

It’s taken a little longer than planned but the team has taken the time to revise the locking lip of the USB Ultra’s aluminium case so it can fit both the current 2.16 Ultra streamer, which was what it was designed for, and the older 2.16x cases where full height cards usually needs some adjustment to fit. The Ultra card is 1.5x the width of a PCIe slot due to the new case which serves as an EMI shield and heat sink for the new super-capacitor power components and Ultra OCXO clock inside and so it will need 2 free full sized PCIe slots to fit. External power will be 5V/2A through what will probably be a 2.5mm barrel plug but there seems to also be an internal 4-pin Molex power socket too. It will be interesting to compare the internal Molex supply buffered by the super capacitors to a good external DC supply. This is significant since good DC supplies and their associated audiophile cables are not cheap.

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Jord informs me that the card will be officially launched on their website before the Munich show in May. The 2nd batch is sold out with units ready later this month and production of the 3rd batch is on the way. I’m told the current plan is to sell only to existing Pink Faun owners for €3250 ex. VAT making this probably the highest price USB card in existence!

Once I get my unit and have sometime with it, I will write my impressions about how it sounds. At this price, it is not a trivial purchase and it would have to out perform the existing v2 card substantially to make it worth the asking price. I recently found that the existing v2 card already outperformed the older v1/ultraOCXO card so this will be a difficult target to reach indeed. Let’s see soon!

Regards to all, Kin
Looking forward to your reports !
Phil
 
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At this price, it is not a trivial purchase and it would have to out perform the existing v2 card substantially to make it worth the asking price. I recently found that the existing v2 card already outperformed the older v1/ultraOCXO card so this will be a difficult target to reach indeed.
Comparing the approach of Taiko and PF I am just wondering if it makes sense to squeeze the last drops of SQ out of USB or to leave USB behind and to enter a new path. Maybe we get some impressions about SQ and musicality at HE Munich. Both manufacturers are exhibitors.
 
Many paths to audio Nirvana. I think there is space for all technologies and approaches to exist. And as a consumer, the more options to choose from the better!

But like you, I do I wonder how much further the USB technology can be pushed sound wise? My opinion is that it's not a stagnant technology, the standard is constantly being revised and is a proven solid high speed connection on an industrial scale. However the standard itself is not new nor a bespoke audiophile solution. Does this matter if it gets the job done well?

Well find out soon enough.
 
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Jord informs me that the card will be officially launched on their website before the Munich show in May.
@Pink Faun
What will be the Pink Faun set-up at High End Munich?
Thank you :cool:
 
I borrowed one of the protoypes for the Southwest Audio Show. I can say that it is definitively an improvement over the v2 card in just about every way. It is not subtle. There is a huge improvement and it is most noticeable in its dynamics and energy. The speakers are much more "driven" and it is very punchy in all of the FR. Everything hits harder in percussion and the body of instruments stand out in a way the v2 doesn't do.

I did a recording when I burnt in the card for 48 hours here

 
@Pink Faun
I have a great wish for your new USB Bridge V2:
Please add support for MacOS.
For comparison the JCAT XE which uses the same ASM3142 chipset offers also MacOS support.
Thank you :cool:
 
DA conversion and amplification is Aries Cerat, and so are the speakers.
According to the brand directory of HE Munich Pink Faun is together with Zellaton in F208.
Is this correct?
 
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Finally the long awaited Pink Faun Ultra USB bridge is complete and just about to be delivered to their first owners next week.

Last year 2023 when I found out about it, I visited Pink Faun in Rhenen to have a first look and wrote up about that visit is here. Being a long time Pink Faun user, I am fortunate to be in this first pre-production batch of 10 units.

I had a chance to put my hands on one yesterday.

First impression - super heavy. The card has been milled from a single block of aluminum, around 5cm (2") thick.

It is my understanding that the card is offered as an upgrade for Pink Faun Ultra servers only - at least for the time beeing. One of the design limitations that I see is the fact that you would not be able to change the card bracket (short or full height). If they ever decide to sell it as a DIY solution, they will have to offer 2 versions of the card - with full size and short brackets.

Most of the aftermarket cases need full size brackets, so this version with short bracket AND double width, will not even fit.

Inside you will find a new single board design (the old USB Ultra used stacked design, with the clock sitting on a small doughter PCB on top of the main PCB) with OCXO clock integrated on a single board.

The card uses 5 new LDO voltage regulators from LT30xx family plus a bank of 5 Ultra Capacitors.

No idea how it sounds just yet, but certainly looks impressive.
 
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They use 5x 10F super capacitors. That is 50.000.000uf.

The capacitance of the super caps is crazy - this card has a bank of 50,000,000uF, when a typical "full size" monoblock has only ~250.000uF. That is 200x more PSU capacitance!

If the voltage wasn't only 3V, those supercaps could be used to weld stuff (and easily kill you).
 
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Yes it’s amazing the amount of energy storage one can get from supercaps. So small yet such a large energy buffer.

It does get slight hotter in use than with my old v2 card though. I’ll write more on this later in my review. Still collecting data points.

I’m told that the design used the 20m uF in 3 banks to feed the Vbus, clock, IO, and core with the intention to eliminate interference and noise coupling.
 
Pink Faun Ultra Card / Bridge

It’s been a very long time since I first found out about this remarkable new bridge by Pink Faun. In early 2023 Jord Groen, the proprietor of Pink Faun, informed me that they had been working on a new super bridge for their acclaimed 2.16 Ultra streamer for sometime already, one that encapsulated all they knew of what matters in sound reproduction. And it would be an all out assault on the state of the art, audiophile pinnacle without restriction by cost. Being a long time fan of Pink Faun products, what could one possibly do but to visit them and see it! :p This I did in mid-2023 when I visited Rhenen, the home base of Pink Faun, where I had a chance to hear the Ultra USB bridge. The first few prototypes were freshly completed, not burned in fully and recently plugged into their demo system alongside their older V1 USB and i2S bridges. At that time, I preferred the sound of their existing i2S bridge and wrote about it here. Nevertheless we had a good session listening to music and for me to understand the Pink Faun ethos “no sound, just music”. They are all about generating a connection to the music through a natural portrayal of the sound captured.

At that time, I was very happy they decided on building the USB Ultra bridge first rather than another data format since my existing connection between my 2.16x unit and Vinnie Rossi L2iSE DAC2 was via USB. Jord said it was mostly a business decision; the choice was an easy one USB being the most preferred connection standard between streamers and DACs. When I asked if the USB connection type would still be a valid one or whether the standard had past it’s expiry date, he mentioned that there was still a fair way to go to exhaust what can be improved with USB connections.

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Jord just completed his first batch of 10 units and, due to my exuberance for all things Pink Faun and the trade in of my old v1 card and Ultra OCXO clock, I was luckily enough to be in this first batch. The Ultra card arrived in a solid metal case with a short power extension Molex cable and a pair of gloves. Nice marketing touch I thought, not that I would be using either the gloves nor the molex cable as my 2.16x already had inside it spare power connection wires soldered to the distribution board. The extension is actually very well made - their tinned copper in teflon PCX wiring found throughout their streamers with good Molex connections for only the 5V leg. On visual inspection, the Ultra card is also built with a similar attention to detail. As the card is thicker than a single PCIe slot, they build the card with 2 connectors to ‘book’ the space of the second slot. Interesting strategy that would serve to make the connection more sturdy and the card wobble less once the streamer cover is screwed back on. The Ultra card was designed initially to be used only in the 2.16 Ultra streamer but it seems to fit into my 2.16x (well, the connectors technically sit on top of the back panel but with some washers, this can be overcome) after Jord tweaked the case design. Initially I couldn’t get it to fit into my 2.16x but after a little adjustment to the back panel screws it fits fine now.

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I see that in the recently updated website of Pink Faun, the technical details of the Ultra USB card is described clearly https://www.pinkfaun.com/shop/content/43-ultra-usb-bridge and so there is no need to repeat on this matter. Only that the technology inside the card is hidden totally from the user - it’s basically plug and play. Even the charging up of the super capacitors inside happens so quickly and smoothly, it’s not noticeable during use. Once plugged in, it just works like any other bridge. Worth mentioning also is the 2.5mm DC barrel socket for external power they used in the card. Unlike the older v1 (or even v2) USB bridges, this socket fits both 2.5mm barrel plugs but also my Oyaide 2.1mm plugs as well so that comes in handy if one wants to swap external DC power cables with different plug sizes. Whether the power is supplied using an internal molex connector or through an external power cable, the power goes through the super capacitors banks. More on internal power later. :)

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The Sound

After a settling in period of 5 days with power constantly on but with the DAC only connected a few hours per day, I feel the sound has mostly settled into it’s final sound. Not much changed after the first 3 days. And wow, what an improvement it offers! Sometime ago, I compared my old V1 (with ultra OCXO clock) USB card with their current v2 card which I now use. There were pros and cons of each card and I liked them both depending on what kind of music it was. Later when a firmware update for the v2 came out, I switched over to the v2 card permanently as it sounded consistently better. Well, with this new Ultra USB card, it’s nothing like the difference between the v1 and v2 cards. It’s so clearly a step up from the v2 card. Right off the bat, three standout characters of this new USB Ultra card is naturalness, cleaned up lower-mids/ upper bass and focus.

I went through around a hundred of my usual favourite tracks, the sound of which I am familiar with and I’m shocked how different so many of them sound. My system to date is already pretty decent. Tweaking can bring about small incremental steps forward but to achieve this amount of step forward is an unusual experience for me. It’s not in your face different - prior to adding the Ultra card, my imaging was already spot on, details, ambience, shape of the room all very clear already. Invisible speakers, soundstage 50m deep into the room and wide outside the room boundaries already present long ago. But yet the Ultra card’s contribution has made the sound take yet another step forward.

..cont
 

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