i wanted to talk about my own Wadax listening, so i'm returning to my own Wadax thread. recently i had the Akasa optical software update done, which is done remotely by Wadax in a 2 step process. first they do the server with the permanent ethernet connection. then step 2 is connecting two additional ethernet cables to 2 service inputs on the dac and it takes about an hour to complete the upgrade. mine was completed late last week.
i do not know what they did.
over a few days and 4-5 hours of listening i was pretty impressed by the up tic in performance. these were subtle changes that had significant benefits. what i heard immediately was more body and greater tonal density and timbre, along with more micro dynamics. over time my sense was just more realism and rightness. and my Wadax listening this past weekend was awesome.
these last weeks i've also been listening to a new tonearm i got in June, but now am spending a lot of time with, the Primary Control FCL field coil loaded tone arm.
There is of course the technology, in this case magnetically stabilized uni pivot, yet just like with all audio gear ( especially transducers - carts and drivers ) the results can be hard to attribute to a simple tech or material. It's the craft person / designer balancing everything and...
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i bring this tonearm experience up because what it's doing compared to other tone arms, reminds me of what the Wadax Ref Dac and Ref Server do compared to other digital. yet the Wadax does this 'thing' to a much more dramatic degree compared to the FCL tone arm advantage. the Wadax combo fix digital artifacts and add many higher degrees of realism. the FCL arm also cleans up arm distortions compared to other arms and makes things more real. or more 'right'. the FCL does not have it's own sound or character, neither does the Wadax.
what has always bothered me about feedback i read about the Wadax is that no one ever brings this lack of digital artifacts up. yes; mostly they like the Wadax that it sounds better, but i don't read about specifics of this aspect of cleaning up distortions i heard so clearly when i compared it to both the MSB Select II and the Taiko Extreme server. why did i hear this so obviously, as did others in my room, yet it's not part of the narrative of feedback?
i can only guess about this. one guess is that the compares that have been done have not been done carefully enough. could be a system context thing, or a warm up thing, and a listening care thing. i don't know. there have not been many direct compares. the other guess is that much of the Wadax demos have been alone, without any other dac to directly compare. or at shows. no way for this lack of distortions to be anything one would notice. yet experientially this lack of distortions is really everything. it's the 800 pound gorilla in the room of musical experience. it's why the Wadax sounds like my vinyl. why i can listen for hours and hours.
with the FCL arm this 'rightness' is a profound separator. and with the Wadax it's the same thing. but you need to hear it and realize what is going on. which might take some work to get the proper opportunity with your mind and ears open.
once you hear digital without those distortions......
you can't unhear it.