Do you think you have a preference for CD over analog?
Ked,
Talk to my hand
Tang
Do you think you have a preference for CD over analog?
A predictable response. Please tell why TOL Soulutiion a bad “solution”? I have only seen YG with such type SS gear. Would you tell us what they are compatible with? I hear them with Nagra and that was not too bad.Seems that you were using appropriate amps for the Cessaro, and possibly one of the worst choices for the YG. But then, it wouldn't be the first time people form an idea about the YGs based on hearing them with the wrong amps.
cheers,
Alex
Ked,
Talk to my hand.
Tang
A predictable response. Please tell why TOL Soulutiion a bad “solution”? I have only seen YG with such type SS gear. Would you tell us what they are compatible with? I hear them with Nagra and that was not too bad.
. . . Drive is not about volume but about the ease to move the music up and down with flow, even on softer passages, with dynamic range and the ability to hit out when required rather than sound I will go for a walk and come back before the next note reaches me. . . .
This is very well stated. I personally have more data points as well confirming the view that seemingly “excess” power contributes to a difficult to describe sonic “ease” and “unstressed” presentation in addition to the more obvious benefits of dynamics, slam and “jump factor.” MikeL has long contended that amplifier “headroom” allows the sound to scale realistically and effortlessly.
A predictable response. Please tell why TOL Soulutiion a bad “solution”? I have only seen YG with such type SS gear. Would you tell us what they are compatible with? I hear them with Nagra and that was not too bad.
What you just posted is contradictory, IMO. First you say that the YG needs “warmish” SS and then state it isn’t the speaker for Class A amplification, which is often on the “warmish” side of the audio spectrum. Please clarify ...YG sounds best with SS amplifiers with a warmish tilt, which isn't Soulution imo.
If I go the YG route, I would choose Luxman m900 for a rather inexpensive option that doubles down to 1 ohm. YG isn't the speaker for Class A amplification.
What you just posted is contradictory, IMO. First you say that the YG needs “warmish” SS and then state it isn’t the speaker for Class A amplification, which is often on the “warmish” side of the audio spectrum. Please clarify ...
The lamm hybrids should be good hopefully. All my YG references are to Hailey 2 and the Nagra under drives them even in small room. Drive is not about volume but about the ease to move the music up and down with flow, even on softer passages, with dynamic range and the ability to hit out when required rather than sound I will go for a walk and come back before the next note reaches me. The Soulution pre might help the Nagra get some drive
YG sounds best with SS amplifiers with a warmish tilt, which isn't Soulution imo.
If I go the YG route, I would choose Luxman m900 for a rather inexpensive option that doubles down to 1 ohm. YG isn't the speaker for Class A amplification.
My Odeon La Bohemes are of a similar design and sound really alive. The only weakness is that the bottom octave (below 40Hz) is largely AWOL. Another great speaker I have heard is the Dynavox 3.2, which is also of the same kind of design and it blew me away with Tenor OTL monos. The main difference I see with Wagner is that it is not a floor opening horn, like my Odeons and the Dynavox speakers but a front opening "scoop" . I not sure where the "flex" part of horn flex comes in because in my speakers, with the floor opening, you can regulate the bass by the distance to the floor and this acts a bit like a reflex...thus kind of a "hornflex".
The other difference is that Wagner uses an 8 inch driver and the others of this design I heard used 10 inch or larger. The Wagner's is the very good Supravox driver, which has 99db sensitivity even without a horn. Of course they are using a TAD Be compression tweeter, which is their standard for all their speakers. If this speaker is done well then it should be capable of fantastic sound in relatively small rooms.
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