this is quite an old video with lesser components being recorded, It's sole purpose (for me at least) is to help me evaluate my own discovery path. I should probably redo a similar exercise using my current reference systems
The quest for sonic perfection, a journey I've been on for years, feels like a relentless pursuit of the Holy Grail in audio. Each discovery, each tweak, is like peeling back another layer of the onion, revealing more of the essence of music. Let me share with you one of my recent adventures in...
Now for direct comparison, the same track on different cartridges (output leveled to the best of my abilities manually with the input pots of my Scarlett interface),
cart #2, Supex SDX-1000 (with silver coil windings):
another step within 70s japan: a Supex SD-909Mk2 cartridge, designed and built by Yoshiaki Sugano in his younger years before moving on to create his Koetsu brand.
This is not the beginning, nor the end, but right now I'm having a blast discovering the FR-7 cartridge paired with a FR-64s heavy tonearm
If this isn't close to perfection, I don't know what is :)
The cartridge itself is a bit of an oddball statement from Ikeda San in his Fidelity...
I'd be cautious about jumping into that conclusion (It's a postulation I also put at test frequently, but I'm constantly amazed by what small upgrades can bring to an analog chain, sometimes resulting in minute wins versus the digital reference chain). It's clear that it's easier (and of course...
:) Hi Christen,
The DAC is a ANK DAC 5.1 Signature that has quite a few upgrades in the signal path and the speakers are AvantGarde Duo Omega, TT is a heavily upgraded Thorens TD124Mk2 and the CD transport is a Thorens TCD 2000.
here is a video of the system (streaming Tidal if I remember...
Not really incredibly loud, I’d say at probably close to 90dbs peaks at the listening position which is about 4 meters away from the speakers. The house is detached and in a somewhat remote area so the ambient noise floor is naturally low most of the time
This is something I give quite a bit of my focus and obsession: how to capture the essence of a sound system and share it over the internet in a way that once reproduced through a high quality enough reproducing chain is representative of what my ears sensed while I recorded it. I think that...
Thank you Peter, I was struck by your beautiful analog system, one can't help but look in awe at all that unusual solid cast mass. And also I've got a soft spot for anything from North Sails (I was into windsurfing about 20 years ago and was also a small boat sailing instructor in my teen years...
The same vinyl system, playing a bass heavy track and captured directly through the RCA outputs of the phono stage directly into a digital capture card doesn't sound bloated at all :)
Thank you for your kind words: Yes, I agree and often wonder how meaningful these phone recordings are (particularly in the bass region where the tiny phone mics are easily overpowered/saturated and how that in turn pollutes the overall recording). Take for instance this recording I just took of...
Hi,
My name is Miguel and I live in the Atlantic shores of Sintra, Portugal.
Sintra was named Mons Lunae (the sacred mount of the moon) during roman times, and me...having dug quite a bit of roman relics myself (and being a bit of a local history buff), decided to create the "Lunae Mons...
Apologies for the abrupt interruption (Hi, I'm Miguel from Sintra, Portugal and I'm a passionate builder/designer who follows audio note japan's ethos) This is spotify (through a highly upgraded ANK DAC5.1 Signature, a Kondo Ongaku inspired amp and a pair of stock AvantGarde Duo Omegas) also...