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Yes they doThey remind me of the Anthony Gallo Nucleus Reference 3.1 speakers…
most of those knights seem to prefer classical music. the video review suggests these speakers are more for Jazz lovers. The comment from the violinist was especially telling. She hears the live experience all the time and not from the audience perspective.Very nice review of the speaker, praised for its natural and effortless sound:
The so called "experts" on "natural sound" on this forum - those knights of the round table that have proclaimed themselves authorities on "good sound" and have embarked on a mission to pull audiophiles out of their mistaken path - may want to give this speaker a listen.
Stjernholm intelligently added a professional violinist to the group of reviewers - it would be hard to argue that she does not know what "natural" sound "sounds like"! Interestingly, she gave very similar scores to our own @schlager in this review.
Anyway, is this a "dream speaker"? Watch the review to find out if it may appeal to you.
most of those knights seem to prefer classical music. the video review suggests these speakers are more for Jazz lovers. The comment from the violinist was especially telling. She hears the live experience all the time and not from the audience perspective.
I also didn't think that was an issue and meant that she may have a better sense of timbre than the average listener. But this reminds me of a story about renovations to a well-known venue. After the renovation, the musicians said things like: This is great because I can hear the other musicians clearly now. That kind of blew my mind. How can you play when you are filling in what the other folks are doing via your knowledge about how it must sound? He human brain is a mysterious thing.As for her perspective as a performer versus listener, that's not an issue, IMO. If you know how instruments sound up close, you'll know how they sound from afar, and I am sure she has as much experience as anyone attending live events...
I also didn't think that was an issue and meant that she may have a better sense of timbre than the average listener.
In a symphonic orchestra, musicians are not always playing their instruments, they have time to listen to others, but I get your point.But this reminds me of a story about renovations to a well-known venue. After the renovation, the musicians said things like: This is great because I can hear the other musicians clearly now. That kind of blew my mind. How can you play when you are filling in what the other folks are doing via your knowledge about how it must sound? He human brain is a mysterious thing.
It makes me realize I have no idea what musicians can hear when they are seated in an orchestra. I assumed the experience was somewhat similar to being in the audience. But it never crossed my mind that there might be a venue where the musicians cannot adequately hear all of their fellow musicians as they played.In a symphonic orchestra, musicians are not always playing their instruments, they have time to listen to others, but I get your point.
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