In this thread Greg and Neil made "fun" of my hearing boo hoo, AND said 95% of the sound from my panels were running smack dab into each other. NOT.
http://www.whatsbestforum.com/showthread.php?54-The-backwave-is-dead.Long-live-the-back-wave./page2
Don't worry I know some of the comments were made in jest. But......................
First to disparaging comments about my hearing, my spouse who is 10+ years my junior is beginning to have problems in that area. While, as a 63 year old male, my high frequency hearing has declined from my teenage bat hearing days, I still hear quite well up to about 14k. Above that I really have to crank the volume on the test tone to hear much. Beyond 16k it is pretty much gone. However, my overall hearing sensitivity is very good. I can hear very quiet events at home and at work that many much younger people seem to miss. So, no, not deaf, or going that way soon from my listening habits.
I do listen fairly loudly when I am enjoying my stereo, generally around 88 to 90 db. Most of my listening sessions are around an hour to an hour and a half. Some tables list two or more hours at 90db as having the potential for long term hear loss.
Just because one is sitting close to a speaker does not mean it is too loud. The gain control is a valuable item. Because the sound intensity falls off by 6db with each doubling of the distance, were I to sit 12 feet from the speakers I would need 12db more output from my amps to get the same sound intensity.
Of course we all know that for every additional 3db of output we need twice the power from the amp. If I am playing at 2 to 10 watts RMS, per channel (rough guestimate) for my current listening position to achieve 90db, then the amp would have to produce 32 to 160 watts at 12 feet. That is not a problem for amps that are rated at 550/channel into a four ohm load (nominal for Prodigy) and around 1,100 per amp bridged.
But what is going to happen to the musical peaks/transients that are 10 to sometimes 100 times the RMS power? They are going to clip!
Now one may not hear that clip as distortion, but one may very well hear it as “not as real” or “not as musical” or “not as sweet”. So this is one of the benefits of near field listening, considerably more headroom in the system.
Near field listening has some GREAT advantages and a some disadvantages.
More to come.........
http://www.whatsbestforum.com/showthread.php?54-The-backwave-is-dead.Long-live-the-back-wave./page2
Don't worry I know some of the comments were made in jest. But......................
First to disparaging comments about my hearing, my spouse who is 10+ years my junior is beginning to have problems in that area. While, as a 63 year old male, my high frequency hearing has declined from my teenage bat hearing days, I still hear quite well up to about 14k. Above that I really have to crank the volume on the test tone to hear much. Beyond 16k it is pretty much gone. However, my overall hearing sensitivity is very good. I can hear very quiet events at home and at work that many much younger people seem to miss. So, no, not deaf, or going that way soon from my listening habits.
I do listen fairly loudly when I am enjoying my stereo, generally around 88 to 90 db. Most of my listening sessions are around an hour to an hour and a half. Some tables list two or more hours at 90db as having the potential for long term hear loss.
Just because one is sitting close to a speaker does not mean it is too loud. The gain control is a valuable item. Because the sound intensity falls off by 6db with each doubling of the distance, were I to sit 12 feet from the speakers I would need 12db more output from my amps to get the same sound intensity.
Of course we all know that for every additional 3db of output we need twice the power from the amp. If I am playing at 2 to 10 watts RMS, per channel (rough guestimate) for my current listening position to achieve 90db, then the amp would have to produce 32 to 160 watts at 12 feet. That is not a problem for amps that are rated at 550/channel into a four ohm load (nominal for Prodigy) and around 1,100 per amp bridged.
But what is going to happen to the musical peaks/transients that are 10 to sometimes 100 times the RMS power? They are going to clip!
Now one may not hear that clip as distortion, but one may very well hear it as “not as real” or “not as musical” or “not as sweet”. So this is one of the benefits of near field listening, considerably more headroom in the system.
Near field listening has some GREAT advantages and a some disadvantages.
More to come.........