The 'cupped hand' thing is caused by poor horn taper design and drivers operating out of band for the horn due to poor crossover design. That sort of thing is rare these days.
The 'cupped hand' thing is caused by poor horn taper design and drivers operating out of band for the horn due to poor crossover design. That sort of thing is rare these days.
it's one of those things that once you hear it, you can't "unhear" it. I've heard horn coloration on numerous horns in my speaker exploration. Not Avantgarde nor the latest Cessaro though.
I agree that "shoutiness" has been banished from most top horn brands.
But I am wondering if people think of the directional presentation of horn speakers as a "coloration", as guys have just gotten acclimated to the box speaker sound. Anyone else feel the same way?
I agree that "shoutiness" has been banished from most top horn brands.
But I am wondering if people think of the directional presentation of horn speakers as a "coloration", as guys have just gotten acclimated to the box speaker sound. Anyone else feel the same way?
Horns do best at what has killed most of my hearing: they play LOUD! Until quite recently, I had LaScalas (Klipsch) and then (briefly) the Jubilee. The Jubilee was MUCH "smoother" for lack of a better word, so I guess it's less "colored". 60 years of technological improvements SHOULD result in a more accurate (or, at least more pleasing) sound - and they DO.
I bought Magnepans because planar speakers provide the "detail" I crave, but without the overwhelming temptation to turn them up to 11... I've found that you can "train yourself" to enjoy Metallica at less than 135dB!!!
I think we all just hear differently. I don't think there is a consensus as to what the best actually are. But I've heard the best Avantegarde, Aries Cerat, Cessaaro, and others, driven by the some of the best equipment, and they all sound great ...but still have horn characteristics on occasion.
Some may not agree or may not hear it. That's great.
Cupped hands effect is simply non existing with a quality horn speaker. We need to understand that price, purchased reviews (yes, that's often what they are), and rumours say very little about the quality for a speaker.
Some of the long existing and known brands have very poor tehcnicial implementations. Typical charactersticis like strong beaming, non uniform directivity, non optimal crossover-overs with serious vertical phase and lobing issues, coloration from material/lack of rigiditiy, passive crossover with no time alignment between drivers and uneven response, diffraction issues with horns placed in front of the other, and low driver quality are often the norm.
One has to look for quality technical implementations and good measurements.