Don't break your arm patting yourself on the back just yet. The corollary of this is that, to bridge the divide, video advocates should be willing to adopt the audio capture quality improvements, and the playback improvements, and to stand in favor of the standardization efforts, the late adopters/skeptics are advocating.
I agree with Tim that one reasonable philosophy (but by no means exclusive objective) here is to seek to maximize in the video the sonic representativeness of what is heard live in the room. It took some time to get on the paper, but, by evaluating different external microphones, by selecting one of them, and then by EQing that mic to get closer to what I hear in the room, I think I found a formula that at least resembles in terms of resolution and in terms of tonal balance what I hear in the room.
But this experimentation also taught me that I think the internal mic in the iPhone is not good for this purpose of audiophiles. I will not be paying attention going forward to videos made with internal iPhone mics.
I think video posters should solve their own equations for a combination of external microphone and mic EQ which they believe achieves the greatest representativeness of their live in the room sound, and then employ that formula consistently.