Wow!! You guys have taken this theory to a whole new plane. I agree with Orb's line of reasoning - but let's initially focus on loudspeaker cables. Interconnects bring a whole different level of complexity.
I've been remiss in not discussing resistance:
The International Annealed Copper Standard is 1.589 ohms/1,000ft for 12AWG. But that is annealed copper, the high-purity copper wires we use (or should use) for hifi speaker cables is lower resistance at 1.565ohms/1,000ft. So, R1 and R2 in the simulation should be 0.001565 ohms. In Amir's simulation, 0.1ohms corresponds to about 31awg - tonearm wiring.
As you see, substantial amount of difference disappears by just using a thicker cable with less resistance.
Absolutely correct. The only reason I embarked on the cable quest is that as a loudspeaker designer, the objective me objected to the subjective mini-me hearing the difference in cables that absolutely should not have such a huge difference in the sound.
So at the end, we arrive at what we already knew
. That cable characteristics are dwarfed by the speaker, sans its resistance.
The moment any speaker cable goes above about 18awg, we reach the point where the resistance no longer becomes a factor. So, theoretically, every speaker cable 14awg and larger should sound identical, but unfortunately, I found it not to be so. This cable theory attempts to explain to myself why cables that should not measure any different can sound so vastly different.
Amir, one thing that your simulations show is that resistance has an inverse but linear relationship to the impedance of the loudspeaker. It is also inverse but linear to the output impedance of the power amplifier. Both of which is expected. ie. the higher the resistance of the cable, the higher the influence of the loudspeaker's impedance and the amplifier's impedance - and hence the "sound" of the loudspeaker and the amplifier. But once the cable is "competently designed" then it is almost a direct coupling between the output impedance of the amplifier and the input impedance of the loudspeaker.
Is it possible to with your software to look at the phase characteristics? I believe that what we hear are the time domain responses of the system of amplifier/cable/loudspeaker. Reason is that our hearing is far more sensitive to phase than to level as we discussed in another thread here:
http://www.whatsbestforum.com/showt...w-do-you-do-it-what-is-important-to-you/page3
We can resolve a time difference of less than 15us and we worked out that a 0.7deg in phase difference between the left ear and the right ear corresponds to a 4-inch shift in image at 10 ft.
Now, if we can hear the slight inductance and the slight capacitance of the cable results in a store/release of energy which corresponds to phase shift - and we can somehow simulate and/or measure the phase shift, then we are moving towards the confluence of objective and subjective.
I already know that the frequency response shifts are not measurable by any instrumentation I have. If the phase shift in the audible range is not measurable, we need to look elsewhere.... or admit defeat to the objectivists who say that cable does not make a difference.