As Lee pointed out, the recording thread went OT, so if anyone wishes to continue here, I'll repeat my response to Tom:
"Now, you're going to hate me, Tom, but I'm doing to drag back a variation on a thought experiment I posed to you some time ago: a soundproof wall, big Steinway on the other side. Cut a hole in the wall to perfectly match the shape of a highly ranked panel speaker, with a soundproof door that can be shut. You, on the other side from the piano, say 10 feet away from the door are blindfolded and now we'll run some AB's.
A: Top notch pianist pounds away, you listen through open doorway
B: Same pianist in action, soundproof door closed, mic set up on other side of doorway, feeding through to optimised amp driving the panel speaker which has been shifted to the postion of the door, in ideal spacing, etc.
Would you say that under all circumstances it would always be obvious whether you were listening to the original, A, sound or the relayed, B, sound, and that it would be theoretically impossible to get an extremely close match?"
Frank
"Now, you're going to hate me, Tom, but I'm doing to drag back a variation on a thought experiment I posed to you some time ago: a soundproof wall, big Steinway on the other side. Cut a hole in the wall to perfectly match the shape of a highly ranked panel speaker, with a soundproof door that can be shut. You, on the other side from the piano, say 10 feet away from the door are blindfolded and now we'll run some AB's.
A: Top notch pianist pounds away, you listen through open doorway
B: Same pianist in action, soundproof door closed, mic set up on other side of doorway, feeding through to optimised amp driving the panel speaker which has been shifted to the postion of the door, in ideal spacing, etc.
Would you say that under all circumstances it would always be obvious whether you were listening to the original, A, sound or the relayed, B, sound, and that it would be theoretically impossible to get an extremely close match?"
Frank