Understand that when music is louder, it sounds better to us. Humans can barely hear the loudness difference when music is played 6 dB louder, so most audiophiles will not recognize that when they switch to balanced operation the music is 6 dB louder. Instead they will recognize that it sounds "better" due to the fact that the music is slightly louder.
Both will sound identical to human hearing even though balanced operation has slightly more distortion and noise.
What is meant there? Balanced scheme cause more distortions?
exactly. More measurable noise but still not enough to be audible
I can't understand: why balanced scheme cause more noise comparing unbalanced one?
Secondly, audiophile equipment usually is very well designed, so there is no audible hum present in it. Therefore the common mode noise rejection feature of balanced operation will not be needed.
Thirdly, audiophiles generally do not like transformers in the signal path. So audiophile equipment does not use balancing transformers. Instead, the conversions back and forth between balanced and unbalanced operation is done using electronics. This adds noise, which does not occur if transformers are used. But both electronics and transformers produce distortion, which degrades the performance slightly compared to unbalanced operation.
the article states (perhaps a bit of a generalisation but still valid IMHO)
(...) The SET guys follow a less is more philosophy that extends throughout the entire chain. Using balanced outputs of their sources isn't typical usually because while XLR outputs are sometimes provided with pre amps, XLR inputs are even less common.(...)
. . .
Generally I've found balanced to tend to have some lower noise and sometimes deeper soundstage with more blackness in the space between instruments but still some sense of overall lost energy or vitality, almost like a slight extra emotional distancing in the presentation. I've equated single ended as somehow simpler and maybe more whole but not quite as differentiated in spatial terms for lack of a better description. . . . It's like balanced seems to often do better at the context of the sound while single ended maybe has a more expressive musical flow and spirit in a more painterly fashion.
Despite Don's patient and kind efforts I don't think we are there yet.
This is of what I am trying to get to the bottom.
Don/Ken: From an objective, technical (i.e., engineering and electrical) point of view do you have a theory to explain this subjective observation?
I can't understand, how to linked changing of amplitudes of 2th and 3th harmonics and impact of "any common-mode noise"?
Or frequency distortions is a feature of L-C of the line?
Two different things. Both differential and single-ended circuits add third (odd) harmonic distortion; single-ended also adds second- (even-) order distortion.
Ron, I think that there are too many technical variables to offer an accurate technical causation as to why someone subjectively perceives a certain sound character via a given system arrangement, aside from the primary difference between balanced and unbalanced interconnections. That primary difference between them is that balanced interconnection can reject common-mode noise (signal ground noise) where as unbalanced interconnection cannot. So, I should think that is the reason for any perceived difference, assuming that the gain stages are the same in both cases.
Yes. Harmonics is feature of any active circuits. But I thought, what you meant, what unbalanced connection caused lesser harmonic distortions tnan balanced.
Thank you, Ken.
My goal for this thread was to achieve an agreed, consensus technical explanation of the subjective observation posted by the sound of Tao.
I think we have achieved agreement that this subjective observation is explained technically by the cancellation by a differential circuit of (i) even order distortion or (ii) common-mode noise or (iii) both.