After a bit of a heart-stopping delivery error on the part of DHL, my new CD Transport arrived today, the Jay's Audio CDT-2 Mk II.
A little background on me - I've been into audio in all forms for 25 years, and I'm 38. Passion for music and sound quality has always been a thing for me. Four years ago I built a dedicated room. Small, but effective. I built my own room treatments and have made due as best I can with what I can afford. When I first built the room I was strictly computer audio. Dedicated audio PC, i2s to an Aqua DAC, and I enjoyed it. A year after that I bought a turntable and some records and I was instantly converted. There was an ease with which the system produced powerful, emotional music that captivated me like my digital rig just never did.
Fast forward three years and recent vinyl pressing problems, cost of new media for mediocre sound, has soured me a little bit on vinyl. I still treasure my analog rig and the 600 LPs I have that absolutely sound fantastic to me. But so much of what I wanted to hear either didn't exist on vinyl at all, or didn't exist in a vinyl pressing that wasn't wrought with issues. So I decided - I really enjoy owning physical media, a library of sound beyond my hard drive. So I took a plunge and ordered the newest Yggdrasil DAC and a TASCAM CD player, used, off eBay, to use as a transport. After breaking in the Yggy, I was convinced that this truly could serve as a balance point to my vinyl passion. Sound was engaging, not fatiguing, it was quieter, dynamics were there if the master allowed for that. So as I normally do, I dipped my toe in and thought, the water is fine! Let's try a better source, so I selected the Jay's Audio CDT-2 Mk II as my transport of choice. Built in China, this player, now that I've held it (er, lifted it) and played with it - it is substantial and the worksmanship is something anyone would be proud of. It is a hefty item. But would it sound as substantial as it felt?
The answer is an emphatic yes. So far this evening I've listened to Jeff Beck - Truth, SRV - The Sky is Crying (Mobile Fidelity using the GAIN system, which has a wonderful synergy with Schiit multibit DACs), Metallica - Ride the Lightning, a frenetic, chaotic, analog-recorded and analog-mastered behemoth that will test any system's capability to keep instruments and tonal textures separate and palpable, and finally Yo-Yo Ma's Goat Rodeo Sessions.
What I can say is that in comparison to my old unit (TASCAM), which by all measures I was content with, the Jay's Audio Transport is far and away better. A few bullets:
I can't say enough good things about this transport. It is truly special, and i've only owned it for a day. I hesitated in writing this as it could be a case of "new toy syndrome" but I used material I am intimately familiar with or had just listened to on the prior setup, and having spent the last 4 years listening at least 2 hours a night (4 hours on most nights), my muscle memory for this kind of thing is as sharp as it ever has been. I built this room for the expressed purpose of evaluating gear for myself. That I can share those findings with others is just a bonus. Apologies in advance for the length, but I hope this is informative to someone out there.
A little background on me - I've been into audio in all forms for 25 years, and I'm 38. Passion for music and sound quality has always been a thing for me. Four years ago I built a dedicated room. Small, but effective. I built my own room treatments and have made due as best I can with what I can afford. When I first built the room I was strictly computer audio. Dedicated audio PC, i2s to an Aqua DAC, and I enjoyed it. A year after that I bought a turntable and some records and I was instantly converted. There was an ease with which the system produced powerful, emotional music that captivated me like my digital rig just never did.
Fast forward three years and recent vinyl pressing problems, cost of new media for mediocre sound, has soured me a little bit on vinyl. I still treasure my analog rig and the 600 LPs I have that absolutely sound fantastic to me. But so much of what I wanted to hear either didn't exist on vinyl at all, or didn't exist in a vinyl pressing that wasn't wrought with issues. So I decided - I really enjoy owning physical media, a library of sound beyond my hard drive. So I took a plunge and ordered the newest Yggdrasil DAC and a TASCAM CD player, used, off eBay, to use as a transport. After breaking in the Yggy, I was convinced that this truly could serve as a balance point to my vinyl passion. Sound was engaging, not fatiguing, it was quieter, dynamics were there if the master allowed for that. So as I normally do, I dipped my toe in and thought, the water is fine! Let's try a better source, so I selected the Jay's Audio CDT-2 Mk II as my transport of choice. Built in China, this player, now that I've held it (er, lifted it) and played with it - it is substantial and the worksmanship is something anyone would be proud of. It is a hefty item. But would it sound as substantial as it felt?
The answer is an emphatic yes. So far this evening I've listened to Jeff Beck - Truth, SRV - The Sky is Crying (Mobile Fidelity using the GAIN system, which has a wonderful synergy with Schiit multibit DACs), Metallica - Ride the Lightning, a frenetic, chaotic, analog-recorded and analog-mastered behemoth that will test any system's capability to keep instruments and tonal textures separate and palpable, and finally Yo-Yo Ma's Goat Rodeo Sessions.
What I can say is that in comparison to my old unit (TASCAM), which by all measures I was content with, the Jay's Audio Transport is far and away better. A few bullets:
- Bass is increased ever so slightly, yet it's more tuneful and focused, over my old player
- Images on the right recordings seem to hang in space and show actual definition, whereas a direct comparison of the old player to a different (and ostensibly better) input on the Yggdrasil shows it to be more two dimensional. This is interesting because I felt like stage-depth was no issue on the former setup. It's another case of "you'll know it when you hear it"
- There is a bright-ish section of piano on Jeff Beck - Truth, track #9 Blues De Luxe, that was firighteningly realistic through the Jay's. I had just listened to that same CD two nights ago on the old track and while it was enjoyable and engaging, at no point was I startled by realism like I was tonight
- I gave serious props to the TASCAM for that "ease" to the sound like I appreciate from vinyl. Lowend digital sounds to me like it's trying too hard to do something. I really don't know a better way to illustrate what I'm thinking via text, so there it is. The Jay's just "sounds" effortless. It puts forth dynamic, engaging music when the mastering is up to the task.
- For a CD Transport, this thing is built like a tank. Everything is substantial, yet the tolerances for the case work and the CD drawer are absolutely precise. A lot of effort goes into these, and it shows when you lift or interact with it, at all.
I can't say enough good things about this transport. It is truly special, and i've only owned it for a day. I hesitated in writing this as it could be a case of "new toy syndrome" but I used material I am intimately familiar with or had just listened to on the prior setup, and having spent the last 4 years listening at least 2 hours a night (4 hours on most nights), my muscle memory for this kind of thing is as sharp as it ever has been. I built this room for the expressed purpose of evaluating gear for myself. That I can share those findings with others is just a bonus. Apologies in advance for the length, but I hope this is informative to someone out there.
Last edited: