If you have a good record to platter interface, so that the vinyl is very flat, you might want to experiment with dynamic versus static tracking force. My understanding is that the dynamic tracking force, the spring, is more effective with warped records as it controls the tracking force more evenly as the stylus goes up and down warps. If the record is flat, you might get a more natural sound with static tracking force, using only the counterweight. I would listen to one versus the other and see if you hear any differences. You might also want to experiment with moving the counterweight as close to the pivot point as possible which might mean using both types of force. The closer the counterweight is to the bearing or pivot, the less inertia there is in the movement of the arm. This might also be audible. There are a lot of factors involved like compliance of your particular cartridge. Experiment for what sounds best.