Rhapsody is not set up for the last word in playback.
Speakers, electronics, cables etc are changing constantly (almost daily)
Carlos, Rhapsody is not set up for the last word in playback. It's an audio store.
Speakers, electronics, cables etc are constantly (almost daily) being moved from room to room depending on the visitors that are coming in. There are three or four more set ups that we did not get to listen to during Ron's visit. What was set up when Ron called and was able to come in on very short notice, just happened to be in place at that time. Nothing was optimized or ready for a serious listen.
If I was going to set up a particular system, which I do by appointment, for the best listening experience I would have to do that depending on a visitors before hand consultation and what they were interested in. Then I would take a few hours to get a particular system or systems set up for their visit.
Ron's visit was not this type of visit. It was more just stop by and see the Brooklyn location than a serious listening session.
What I usually find as I move speakers from room to room at times, is that you hear the difference in the rooms vs the difference in the speakers/systems.Perhaps the short, unoptimized, listening still served Ron for some comparison analysis, with his system at home.
The video shorts are very nice as it allows those of us that weren’t there to get a small glimpse of the sound of each system. These combined with videos you posted yourself allow others to get a better idea of the sound of each of these set ups.
One does wonder. Seems very odd that there is no mention of the sound. Oh well.
Yep, the Ongaku upstairs in the Odeon room is an '89, built by the venerable Kondo-San. That same '89 Ongaku is in the pic I attached with the normal lighting (post #21), downstairs in the Diesis room. I move things around A LOT.I spotted a very old Kondo Ongaku in addition to the latest version.
Understood. Did not mean to be rude. Sorry to have questioned the delay. BestI'm terribly sorry I did not want to be late to dinner with my parents whom I have not seen in three years so I could give you a satisfying report.
Those stones/bricks/beams have been sitting there since 1866 The workers that did the work on the basement I'm sure never imagined they were building an audio "man cave". The alcove behind the Diesis speakers downstairs, which there are four of in the basement, were "coal chutes".I for one really like the 'dark room' of stone and beams. However, that is why females think I have icky 'man tastes'.
Hi Jack!Hi Bob! Hi Ron!
How does being back in New York feel Ron?
I suspect that it is the trap door leading down to the ‘Curious’ smelling subterranean room !I for one really like the 'dark room' of stone and beams. However, that is why females think I have icky 'man tastes'.
A shame Ron that you didn’t have enough time , this visit , to listen a little more to the VYGER Atlantis/ Red Sparrow combination.It was only a short, two hour visit. After a quick, initial walk-through of each of the rooms, it took me about 15 minutes to stop hyperventilating from seeing all of these goodies in this audio candy store.
The Alsyvox, being dipole planars, was the most familiar sound to me.