I apologize for misunderstanding this thread. I love the sound of SET amps, but I am also someone who plays fairly loud and thus need more power. I was not trying to intrude into a space that is not relevant to me. I was just excited about my new amp purchase. I think it takes much more than a great tube to make a great amp, and for my system the VAC 450 Statement has been wonderful and I expect the 452's will be substantially better. To me there is no comparison between the two because they are so different.
Ever miss tubes ? A yearning now and then maybe?very impressed 5 years ago with the Berning 211/845 ZOTL, pure class A, zero global feedback, 60 watt mono blocks. did a fine job in my large room on my 97db MM7 towers.
if you desire to hear linear tubes at the finest level, these should be considered. liquid and natural, but not warmish or rounded. very quiet (low noise) and extended in the bass and highs. beautiful textures and tone in the mid range. these would be high on my short list of favorite sounding tube amplifiers. for the finer details, these same amps and tubes in my room were the subject of this Absolute Sound Harley review.
https://www.theabsolutesound.com/articles/the-david-berning-company-211845-power-amplifier/
Ever miss tubes ? A yearning now and then maybe?
Aries Cerat Genus, Concero 25 and Concero 65s are all now with 845s...
Ever miss tubes ? A yearning now and then maybe?
Didn't Mike stealthily smuggle some tubes back in via one of his phono pres?
my battery powered CS Port phono uses tubes (same tubes as in the Ypsilon phono), in a very liquid linear fashion. and with the EMIA SUT's plus an internal SUT.
but......nothing glowing in the dark i can see..........
I ve owned both the MAstersound Integrated and the Masteroound PFF-100 monoblocks, and the monoblocks were noticebaly better sounding on all of my speakers. The monoblocks just thad sense of unlimited musical reserve when blasted very loud. Also Masteround amps sound more refined when used with updated input tubes, NOS RCA for example.I had a stint with the massive Mastersound 845 Reference integrated. I really enjoyed my time with it albeit lacking in the refinement of my current gear. It had huge soundstage and large than life central imaging. Was very 3D / palpable.
I ve owned both the MAstersound Integrated and the Masteroound PFF-100 monoblocks, and the monoblocks were noticebaly better sounding on all of my speakers. The monoblocks just thad sense of unlimited musical reserve when blasted very loud. Also Masteround amps sound more refined when used with updated input tubes, NOS RCA for example.
Tubes are never absent from my system...You may never miss tubes until they are absent for a while and you hear them again.
It only needs to glow in your heartmy battery powered CS Port phono uses tubes (same tubes as in the Ypsilon phono), in a very liquid linear fashion. and with the EMIA SUT's plus an internal SUT.
but......nothing glowing in the dark i can see..........
for sure, and always will. i invested a significant amount of money, time and hassle acquiring the ML3's and borrowing those big VAC's to see where i wanted to be, and discover whether it was worth it to try and have both solid state and tubes.
i'm at peace with my direction, for my room and whole system i have the right answer here. no better choice than the big darts, and the new 468's even more so. still reminds me of the whole 75 watt Tenor OTL magic i once owned. and not any sort of solid state artifacts i can hear.
if i ever had a system 're-boot'; anything is possible.