"Here’s an experiment: Grab your nearest record geek, preferably one who’s been known to worship at the psych-folk altar. Drag them away from transcribing the commentary track of their
Wicker Man Blu-ray and play them
Only the Void Stands Between Us. Tell them it’s a recently reissued ultra-rarity recorded in a New Zealand cave by candlelight in 1971, originally released in a micro-pressing heard only by the artist’s immediate family. Maybe add that
Julie Beth Napolin was a UFO tracker and self-styled mystic last seen camped out in a crop circle and never heard from again.
The odds of your ruse being accepted as fact are overwhelmingly in your favor. Not because Napolin’s debut is operating in a retro sphere, but because it occupies a place that exists somewhere outside of time and space. It inhabits a musical continuum including the likes of ‘70s head trippers
Comus and Popol Vuh; ‘80s outliers Opal and Dead Can Dance; and ‘90s ambient-folk adventurers Tower Recordings and
Charalambides, where the cosmic, earthbound, ancient, and eternal meet.
In fact, Charalambides guitarist
Tom Carter pops up on the opening track of
Only the Void, adding some liquid lead guitar lines alongside Napolin’s spectral murmur. The combo could spur images of Nico sitting in on a circa-’69 Grateful Dead “Dark Star” exploration."