Recently I participated in and contributed vinyl to a Zanden Electronics products demonstration held at Kyomi Audio in Addison, IL. The primary focus of the event was demonstrating the equalization capabilities of the Zanden 1200 Signature phonostage. Many recordings from different record labels, stereo and mono, were featured. Especially highlighted was the selectable function Zanden defines as the "4th time constant"; high for Neumann cutting lathes; middle for Ortofon cutting lathes, and low for Westrex lathes.
Subsequently, I emailed a question to Soul Note Germany as to whether or not their E2 phonostage has the same capability/function. They answered by referring me to the E2 manual (which I had already read).
Can anyone speak to whether or not the Soul Note E2 functionally replicates the "4th time constant" function of the Zanden 1200 Signature?
l to r: Eric Pheils (Zanden US distributor), George Vatchnadze (Kyomi Audio proprietor), John Tverdik

Subsequently, I emailed a question to Soul Note Germany as to whether or not their E2 phonostage has the same capability/function. They answered by referring me to the E2 manual (which I had already read).
Can anyone speak to whether or not the Soul Note E2 functionally replicates the "4th time constant" function of the Zanden 1200 Signature?
l to r: Eric Pheils (Zanden US distributor), George Vatchnadze (Kyomi Audio proprietor), John Tverdik
