A question of value in today's hi-end.

As a DiY'er who's technically astute enough not to fall for the 'snake oil' out there, I feel that today's high end is highly overrated. Aside from workmanship/furniture value, there is very little to be gained from a sonic standpoint, if anything, by paying exhorbitant prices.
 
It would be ideal microstrip but the reasons for nearfield are health related and I won't blame any professional from limiting his exposure to high sustained SPLs. :(

Curious - I never considered this aspect. I have read the opposite elsewhere - that as sound level depends on the inverse of the square root of distance in near field listening with monitor speakers, sound engineers are usually exposed to high sound pressure levels.
 
@Tim ......ummm scale. I was being literal with the percentages. I'm talking about evenly pressurizing a room but really more about the stage size presented. The REALLY big soffit mounts do it just about as big as so called big SOTAs. Mid-sized plus subs just don't. All of the speakers I mentioned except the X-2s have at least 4 active 15'ers. Take a look at Steve's set up which has 2 3kW Gothams and it gets obvious what are grapes and what are watermelons. They may very well match them in SPL as both can go well past human endurance but one thing that hasn't been mentioned is the sense of ease and effortlessness when handling the most demanding passages that true SOTA hi-end delivers. I just found the "get 95% there" statement rather sweeping. I just got specific but apparently not specific enough. You might get 95% in some aspects but not all. Scale is one where they just can't unless the law of physics gets amended somehow.

@Ferdinand - Well in all the studios I've been in, our own and abroad, in the age of digital recording which no longer allows for hitting tapes hard, tracking for recording are more of a watch the meter affairs on trial runs and recording. Unless you are really pressed for time, limiting and comp is never a good idea at this stage. Best to not clip especially when recording on digital and best to avoid it through careful use of trim. Evaluation of each mic channel is then done to see if any takes are needed. So we have a mono through the main bus. It's easier to evaluate the dry signal nearfield as it takes the room out of the equation. Also, because the room effects are minimal one does not have to crank it up to get through the hash (combined room tones) so it actually takes less SPL to hear the details and is thus safer over extended periods of time. When mixing it is doubly important to take the room out of the equation because the engineers are introducing panning and processing on a track, track group, or stereo bus basis. So when Tim says the closest you can get to what an engineer hears is via nearfield, he is quite correct. Moving on to the big monitors, the producer/client monitors, the perspective is quite different. It's closer to real world applications where the room is pretty much always a factor. At this point if something "off" is heard the event is isolated and they switch back to nearfield. The big monitors thus get far less playing time in use and the engineers get to keep their hearing, hopefully. So while in the professional realm one chooses tools for specific tasks, in the consumer world we choose tools depending on which perspective most satisfies us or is most practical, none of them wrong.
 
If a smaller phsyical speaker system can hit 120 db SPL, and a big one (bigger speaker sizes) hits 120db SPL, are they equal?
No, they are not equal. The larger speaker system will move more air than the smaller speaker system at the same loudness level and thus will sound bigger.

What does a speaker with 3 15 inchers do for me compared to a speaker with 3 10 inchers in terms of scale....lets not talk one going lower in frequency response, lets say the music lows do not tax the 10 inchers, and each speaker delivering 120db SPL at listening spot.

Same answer as above. Three 15” drivers will move lots more air at the same 120dB SPL than the speaker with three 10” drivers.
 
No, they are not equal. The larger speaker system will move more air than the smaller speaker system at the same loudness level and thus will sound bigger.



Same answer as above. Three 15” drivers will move lots more air at the same 120dB SPL than the speaker with three 10” drivers.

A similar experience - Wilson Maxx2 speakers versus Wilson Watt puppy 7 with the Watchdog subwoofer. Both systems had similar frequency response but the Maxx2 had a scale that the other system could not reach. But my experience was not at 120 dB SPL - typically 105 dB peaks.
 
The larger speaker system will move more air than the smaller speaker system at the same loudness level and thus will sound bigger.
I'm sorry, Mark, I'm going to have to take this on. If 2 different sized speakers have same frequency response and same loudness level in a particular location in a particular room then they will sound equally as "big"

Frank
 
Jack, you've definitely got a point if you're talking about playing into huge rooms with speakers at the kind of extremes mentioned. When I first responded to your "scale" point, I was erroneously concluding that you were talking about the modest, down-scaled version of SOTA, like this:

Wilson-Audio-Sasha-W-P-speakers.jpg


Or this:

sid2_39607_big.jpg


Or maybe this:

revel.jpg


I really hadn't considered trying to pressurize a room any bigger than what any of the above, or the active example I gave, would do quite well. You're operating on a different level, my friend. Not just "What's Best," but "What's Biggest" as well. To play at that level in pro gear, you're right, it would cost a bit more...

grateful-dead-wall-of-sound-8.jpg


:)

Salute,

Tim
 
Tom in Black, Jack in Blue

I agree that scale relates to the size of the space. Good points made. I can't even fit Steves and others big stuff in my listening area, so its impractical for me, where as my stuff in their big rooms would not be able to "fill" the room in the same way? but could still produce the same SPL given that with my speakers they would be closer to each other and hence the sweet spot would be closer to them, do these things just scale up, ie, the triangle just gets bigger in a big room if you want it too, so therefore you need bigger speakers with more power because now the speakers are twice as far apart and your sweet spot is therefore a lot farther from the speakers, is that all we are really talking about?

Partly Tom. A speaker's radiation pattern and the level of application of absorption and diffusion also play a part in smaller rooms so it is possible to get large scale in terms of listeners perspective (beyond the walls) as opposed to actual scale (walls are really farther apart) by using a speaker that radiates over a wider area like dipoles and having boundaries that hide their physical location by absorbing or diffusing energy. Having said that, a large acoustic space treated to the same degree as a smaller one will maintain the advantage even with smaller speakers.

But then again, I have never really given this much thought....good point to mull over.

If a smaller phsyical speaker system can hit 120 db SPL, and a big one (bigger speaker sizes) hits 120db SPL, are they equal?

What does a speaker with 3 15 inchers do for me compared to a speaker with 3 10 inchers in terms of scale....lets not talk one going lower in frequency response, lets say the music lows do not tax the 10 inchers, and each speaker delivering 120db SPL at listening spot.

Move as much air per impulse with less excursion (which has advantages in "speed") for SPL but at the same time move more air in terms of initial propagation area. Take Maggies as an example, very low excursion huge wave launch area.

I understand that an outdoor event, if you had ten pairs of speakers each putting out 120 dbSPL you could get more people to hear that level (fill a bigger space), but when it comes to listening rooms, is it the same idea, or is in fact the sweet spot, in a big room or small,

In concert sound we deal with arrays so again propagation is a key determinant in coverage as is with an enclosed space.

if you get 120dbSPL there, it does not matter how big the speakers are, or what are we actually doing here with scale exactly?

Scale is not so much an issue in live sound since we have the eyes to aid us. For example, if you were say at a viewing angle and distance where the performers are the size of your thumb you wouldn't want to hear vocals the size of a grain of rice proportionate to that size. What would matter more is balanced FR wherever you are as well as the timing of arrival sound with the visual components.

Is it that in a big room you can just seperate your big speakers further apart and thus move back the sweet spot further away from the speakers...

Again partly albeit one can do the same in a smaller room by moving closer to the sources of sound. Tom Mallin's set up is a good example. The downside of the latter is that certain things like driver integration, baffle diffractions and effects of driver and electronic distortions are magnified. Specific engineering steps have to be taken to address these issues among others.

One thing seldom talked about is thermal compression in drivers. This is where the sense of ease comes in. A driver less stressed is a happy driver both mechanically and sonically. More drivers employed means a less compressed sound at the same SPL. Take Jim's VR-11s vs my own VR-9s where everything is doubled except the super tweeters. With amps operating well within their operating limits his speakers are literally working half as hard mechanically to attain the same SPL while exciting literally twice as much air on initial impulse. Less compression, more "ease" partially due to the 3dB gain in efficiency.

Of course every solution brings about it's own set of problems and here is where a price has to be paid. He needs a much larger room for them to even work near their potential.
 
Love that last pic Tim! It made me feel like a teenager! Hehehehe!
 
If you'd listened to that last setup much, you would have no use for a forum like this... You'd be logged into the "How to get the most out of your Bel-Tone Hearing Aid" forum.

Lee
 
Hahahahahahaha!
 
Some people will disagree, but electronics can also add a sense of scale to a system.

I have heard the Maggico M2 playing with the Audio Research Ref 610T in a medium size room and this system had the sense of a big, solid space - the reaction of most people was "they sound like big speakers"! Changing amplifiers spoiled the effect.

But I have no doubt that good room acoustics is needed to get this sense of "scale" - in adverse conditions the scale never "grows".

A difficult question - why most high end electronics only get this "scale" property after some warm-up time (usually from 15 to 60 minutes), depending on type electronics?
 
Love that last pic Tim! It made me feel like a teenager! Hehehehe!

What?

My wife would tell you I spend far too much time feeling like a teenager...or at least acting like one.

Tim
 
Move as much air per impulse with less excursion (which has advantages in "speed") for SPL but at the same time move more air in terms of initial propagation area. Take Maggies as an example, very low excursion huge wave launch area.
This is one of the things that gets me with the language of audio. What the hell is the "speed" of a woofer?! Is it, that there is a difference of phase angle with frequency, that the distortion components vary, that the dispersion of the bass notes in the room varies, or what?

If we disconnected every driver apart from the woofer in 2 speakers do you think we would hear a difference in "speed"?

Frank
 
microstrip, you've got me going! :D

Some people will disagree, but electronics can also add a sense of scale to a system.
Exactly. Bad electronics will make a monster speaker sound like nothing, or even worse, a PA system! :)

A difficult question - why most high end electronics only get this "scale" property after some warm-up time (usually from 15 to 60 minutes), depending on type electronics?
The obvious reply from me: the level of distortion is too great initially, as the drivers, crossovers, and driving electronics warm up, get conditioned, stabilise, the distortion levels steadily drop until the "big" sound emerges ....

Frank
 
I'm sorry, Mark, I'm going to have to take this on. If 2 different sized speakers have same frequency response and same loudness level in a particular location in a particular room then they will sound equally as "big"

Frank

Have to disagree with you on this one, Frank.

It has to do with the way that the air is displaced. I've once set up one of my smaller systems - the G2.2 which has sixteen 8-inch woofers per system, and then I set up an additional pair of bass towers from my bigger system - which has twenty-four 12-inch woofers per system. Even at the same volume, the scale and "ease" at which the system plays is very, very different with the same midrange and tweeters. Frequency response was tuned to be the same - that is flat down to 16Hz.
 
Thanks Gary. I wasn't even going to bother to respond.
 
It has to do with the way that the air is displaced.
Okay, I am little confused here. So you're saying that without the additional bass towers, and then with the bass towers, if you measured the bass response precisely at the listening position for those 2 setups the FR would have been the same? If you did adjust the FR's of the different sets of bass drivers how was this done?

Frank
 

About us

  • What’s Best Forum is THE forum for high end audio, product reviews, advice and sharing experiences on the best of everything else. This is THE place where audiophiles and audio companies discuss vintage, contemporary and new audio products, music servers, music streamers, computer audio, digital-to-analog converters, turntables, phono stages, cartridges, reel-to-reel tape machines, speakers, headphones and tube and solid-state amplification. Founded in 2010 What’s Best Forum invites intelligent and courteous people of all interests and backgrounds to describe and discuss the best of everything. From beginners to life-long hobbyists to industry professionals, we enjoy learning about new things and meeting new people, and participating in spirited debates.

Quick Navigation

User Menu