Amp-1 amplifier "best of 2019" by mono&stereo

totaldac

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Aug 17, 2012
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The Totaldac Amp-1 power amplifier just received the prize "best of 2019" by Mono&Stereo.
The Amp-1 has been made to match both difficult speakers like the Magico M6 (used for the amplifier design) and very high efficiency speaker (a 105dB bass-horn based speaker was also used during the design).

best2019_amplifier.png

Mono&Stereo studio:

amp-1_at_mono&stereo.jpg
 
The Totaldac Amp-1 power amplifier just received the prize "best of 2019" by Mono&Stereo.
The Amp-1 has been made to match both difficult speakers like the Magico M6 (used for the amplifier design) and very high efficiency speaker (a 105dB bass-horn based speaker was also used during the design).

best2019_amplifier-png.59903

Congrats!
 
The Totaldac Amp-1 power amplifier just received the prize "best of 2019" by Mono&Stereo.
The Amp-1 has been made to match both difficult speakers like the Magico M6 (used for the amplifier design) and very high efficiency speaker (a 105dB bass-horn based speaker was also used during the design).

View attachment 59903

Mono&Stereo studio:

View attachment 59904
Congratulations, Vincent!
 
The totaldac Munich presentation this year with Magico M6 speakers was, in the opinion of my friend and me, the finest sound at the show.

totaldac's choice of music played no small part in delighting its fully occupied room.
 
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Thank you!
Hello Vincent,
I would like to know more about the Amp-1, particularly the following 2 aspects :

1. It's mentioned in monoandstereo review that the two tubes inside Amp-1 are matched NOS tubes.
What type and brands are they?
How long can they be used before the Amp-1 owners need to replace them?

2. Amp-1 has only single-end rca analog inputs. Is it similar to D1-Driver and can be converted to a full-balanced poweramp if one Amp-1 is used for one channel?
How much higher will be the power output then?

My original 2020 upgrade plan was to upgrade/replace my monoblock poweramps.
It has been disrupted by your excellent D1-Drivers. They jumped the queue. Haha

Anyway I hope my poweramp upgrade can be resumed later this year and Amp-1 must be one of the choices and I prefer full-balanced monoblocks.

Many thanks in advance! :)
 
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Hello Vincent,
I would like to know more about the Amp-1, particularly the following 2 aspects :

1. It's mentioned in monoandstereo review that the two tubes inside Amp-1 are matched NOS tubes.
What type and brands are they?
How long can they be used before the Amp-1 owners need to replace them?

2. Amp-1 has only single-end rca analog inputs. Is it similar to D1-Driver and can be converted to a full-balanced poweramp if one Amp-1 is used for one channel?
How much higher will be the power output then?

My original 2020 upgrade plan was to upgrade/replace my monoblock poweramps.
It has been disrupted by your excellent D1-Drivers. They jumped the queue. Haha

Anyway I hope my poweramp upgrade can be resumed later this year and Amp-1 must be one of the choices and I prefer full-balanced monoblocks.

Many thanks in advance! :)

Hello CKKeung,
Thank you!:)

The NOS tubes are a pair of Philips ECC88. They are easy-to-find tubes, from Philips or from other brands, NOS or from today's production.
The life span of these tubes are around 5000hours, up to 10000hours for some. In any case the life span is much longer than power tubes (like KT88, 845...).
Also small tubes are not expensive like power tubes.

It is possible to convert the amplifier from single ended stereo bloc to fully balanced monoblocs. It multiplies the power by a factor of four but the speaker impedance seen by the amplifier is also divided by two. It means that a 4ohm speaker will be seen as a 2ohm speaker by the amplifier. So the internally balanced monobloc approach is more optimum for rather high impedance speakers, and when they need a very high power.

Also the input to output balanced topology (=bridged topology) changes the harmonics spectrum, cancelling even harmonics and leaving the odd harmonics unchanged, that's just Fourier mathematics. This is true for all amplifier that are balanced from input to output, they have much more odd harmonics than even harmonics.
The human ear has naturally more even than odd internal distorsion like many naturally produced sounds, see medical reports about that. So bridge topology is not ideal for this point of view.

I think your system uses DAC -> d1-driver -> transformer based passive preamp -> amplifier
Your passive preamp is transformer based so it is not really important to be balanced or unbalanced from the preamp to the amplifier since the transformers of your passive preamp have a galvanic isolation, so even with RCA interconnects it is floating link, just like a balanced interconnect, or like a turntable cartridge.
So it would be possible to use a RCA interconnects (or XLR via adapters or swapped connectors) from your "floating" preamp to the amplifier. It would be almost equivalent to a balanced link.
Many amplifier balanced inputs are using a transformer to convert a balanced signal to unbalanced, and your preamp has already such a transformer.
Also signal transformers are truly balanced but are not from the "bridged amplifier" family, so they don't make the spectrum "odd harmonics only".

If you want monoblocs it would also be possible to get 2 Amp-1 amplifiers and use one active channel in each to let the 2500VA transformer feed a single channel. This makes twice the footprint on the floor, roughly twice the price, but it is possible. Many CH Precision M1.1 users use theirs this way.

Some people having two binding posts per speaker can also use one 2-ch amp for left and one 2-ch amp for right, for bi-amping. This is not possible with Magico's like my M6's because they have just one biding post per speaker.

Another possibility, I could install input transformers at the Amp-1 inputs, to have fully balanced inputs and the rest of the amplifier unchanged, a bit like the XLR-RCA adapters that I make for the d1-dual DAC. These transformers might also be external dongles plugged into the amplifier RCA inputs. They would respect the odd/even harmonics structure.

Thank you!
 
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Thanks Vincent very much for your kind explanations and suggestions!

I will read carefully and digest them tonight.
:)
 
The mk2 version of the Amp1 amplifier is available.
The input and voltage amplifying board is new and the mechanical isolation is improved, for an even more realistic sound.
The frequency bandwidth is now 1MHz at -3dB.
https://www.totaldac.com/amp-1-en.htm
 
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A new amplifier and the matching driver have just been released by Totaldac.

The Amp-1-sublime is the new Totaldac reference amplifier, using solid state components exclusively.
The triode stage used in the previous generation of Amp-1 is now upgraded by an innovating transistor gain stage, using very low component count (all discrete) and no global feedback.
A very high voltage (240Vdc) is used to give the maximum dynamic to the signal and its power supply is based on a discrete regulator as well.
The circuit uses 0.01% VAR Bulk Metal® Foil resistors from Vishay in the critical voltage gain stage.
The gain stage is then followed by an equally innovating and powerful transistor buffer, using no global feedback as well.
This design combines no global feedback, low noise, high gain (33dB), high bandwidth (400KHz) and high current (driving 1ohm) thanks to its 2500VA/25kg live-power transformer.
These characteristics produce a transparent, fast, live and natural sound without harshness and at the same time with punch and weight in bass.
The Amp-1-sublime amplifier is available as stereo amplifier with RCA inputs or as fully balanced monobloc with XLR input.
amplifier page: https://www.totaldac.com/amp-1-en.htm


A new d1-driver is also released to perfectly match the quality of this new amplifier.
The d1-driver-sublime has no volume control because it relies on the DAC volume control but in case the complete system gain is too high (DAC + amp + speakers + room) an analog -15.5dB attenuation can be activated using a switch at the back panel.
This attenuator uses 12 pieces of 0.01% VAR Bulk Metal® Foil resistors from Vishay.
In case the complete system misses some gain with some tracks recorded very low, the latest Totaldac DACs offer a +12dB digital gain option.
This 2 selectable gain in a Totaldac system allow to optimize all configurations.
driver page: https://www.totaldac.com/D1-driver-en.htm

totaldac-amp-1-sublime-inside.jpg

totaldac-d1-driver-sublime-inside.jpg
 
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