The actual frequency response and distortion spectrum at least.
Which should be easily demonstrable and...well, I'm a bit shocked, frankly, that some of you guys just seem to just accept this as if it is no biggie. It strikes me as extremely problematic. Manufacturers have worked for decades to reduce distortion, drop noise floors, etc., knowing that once you actually hook their amps up to speakers all bets are off? I would think the best amp builders would be busting their patooties to solve this problem and tooting their horns, complete with charts and graphs and paragraphs on the back explaining each (forgive the 60s hippie reference) every time they made an improvement. One thing is for sure -- if it's frequency response and distortion spectrum, at least, and it's audible? It's measurable. Why would the better magazines not be doing these measurements when they review amps, across a range of speakers representing a range of loads, so they could make informed recommendations regarding how to best use the amps they rave about? If the XYZ Extraordinaire is clean, quiet and linear driving Magicos but struggles with the upper midrange, generating a fatiguing harshness when wired up to Revels, wouldn't that be critical information that would be part and parcel of reviewing? And wouldn't measuring, at least the basics of noise, FR, distortion spectra, across multiple loads be the very heart of creating system synergy?
You're painting a picture of a loyal hobbyist market spending tens of thousands of dollars on their gear, and being very poorly served by their experts, their press and their suppliers.
I'm not sure I believe it. I know I don't want to. Something is terribly wrong with this picture.
Tim