I think Mike pretty much nailed it.
I am a vinyl guy. I sell and setup vinyl systems. I used to own a Neumann vinyl mastering system. So i have a bias
One of my friend/clients has a decent digital system (NADAC player) running dsp controlled Genelec speakers. We demo'd an analog system (STST Motus II/GMII 12"/Sensitive Sound Verona/Audiospecials phono. It is around $20k as a total sysyem for reference...
They have a smattering of lps, mostly new releases, some 90s etc. In the context of 'those recordings' they felt that digital was getting them there as well as analog. Sure the analog sounded fantastic, but so did the digital. Different sure but both good.
I think analog gets you there for less overall cost with the 'right recordings'. If people care about that is another matter.
I still think vinyl is the way for begining audiphiles as well as end-game audiophiles of a certain musical bent...but in the middle its not so easy.
I am a vinyl guy. I sell and setup vinyl systems. I used to own a Neumann vinyl mastering system. So i have a bias
One of my friend/clients has a decent digital system (NADAC player) running dsp controlled Genelec speakers. We demo'd an analog system (STST Motus II/GMII 12"/Sensitive Sound Verona/Audiospecials phono. It is around $20k as a total sysyem for reference...
They have a smattering of lps, mostly new releases, some 90s etc. In the context of 'those recordings' they felt that digital was getting them there as well as analog. Sure the analog sounded fantastic, but so did the digital. Different sure but both good.
I think analog gets you there for less overall cost with the 'right recordings'. If people care about that is another matter.
I still think vinyl is the way for begining audiphiles as well as end-game audiophiles of a certain musical bent...but in the middle its not so easy.