Hi Barry,
Thanks. Yes, I find these awards more interesting - both from an entertainment standpoint and from an intellectual standpoint - than those of individual magazines because of their diversity. Stereophile and John Atkinson-Wilson always predictably select Wilsons, Audio Research, etc., as their best products. TAS predictably selects Magico, but TAS is not participating in these RMAF awards, so no Magico winners. But here we have a much larger mix of guys.
But again it's worth restating that high-end audio follows the economic rules of "superstar markets". (The theory was developed by Sherwin Rosen of University of Chicago.) "Herd effects" or "bandwagon effects" are prevalent in these situations.
The bandwagon effect is where popular brands become even more popular as people gain knowledge of them from their friends, experienced influencers, dealers, online boards, show reports , “audio journalists “, etc.
What this means is that a small number of brands get the lion's share of the sales - and rewards. Popular tastes and brands like Wilson dwarf everyone else. For every 8 wilsons sold, maybe 1 or 2 magicos get sold? And smaller speaker brands are lucky to sell 3-4 pairs in a year.
And that's why even in this more diverse group of individuals, we have other popular brands dominate while smaller brands and less-popular brands get ignored. The "avoided" group includes less-known box speakers brands, high-efficiency, horns, etc.
The other side of this is that brands that don't win suffer the humiliation of being ignored. Even I have empathy for Magico being ignored by a bunch of guys from the Wilson booster club , who think every thing else is drek. ... but again, the reality is that it's just different tastes and preferences, and powerful social networks to reinforce them ...
Very interesting and relevant points Ceasar.
There is clearly a good economic case for buying from the fashionable and well regarded manufacturers in that their products are likely to suffer less depreciation than those of their less popular counterparts and, to be fair, most of the former are good products. Problem is they are not necessarily better or better value on purchase new. Another very relevant consideration is the quality of backup and future servicing
The herd effect , fashion and perceived wisdom make it difficult for the consumer particularly those still developing their listening skills and confidence in relying upon their ears to tell them which sounds best.
As we progress in this hobby I am sure all of us can look back and reflect upon past mistaken purchases. Track record and a range of good reviews is in my view still a good guide but there is no substitute for hearing them in your own home, though hearing them at a well set up show can be enough as I found with my YG speakers.
The most difficult thing is finding products that really are top class and don't cost an arm or a leg and smaller outfits and new entrants to the market can often be a very good buy if you can identify them prior to commercial lift off.
I should add in conclusion that I recognise that people have different tastes, some I can understand better than others, but the real challenge in my view is identifying very good products that also offer real value for money.