Micro,
I was at Dave's house and we discussed jitter and how that relates to human hearing. We also discussed propagation delay. The papers were on the latter but David was familiar with Julian Dunn's work and others I mentioned. He did his homework!
Julian Dunn's papers are known by everyone in the audio industry - he developed the J-itter test that applies to measuring digital data induced jitter. Most probably Dave Wilson used his techniques to measure his crossover timings - a case where high-end designers learned from professionals.
Jitter IS a common term among academics. I know this to be true.
I can assure you it is not commonly used by academics concerning timing in analog audio signals, they call it "phase noise". Even Wilson Audio become more cautious about using the word in later literature. BTW, you were very lucky that Dave addressed this issue with you. Later in a interview with Edgar Kramer he decided to keep silent when asked about the subject.
As for your DSD comments, this is not true. There are several AES working papers showing underlying theory of why hires is better and there are studies showing the listening improvements from hires in A/B format.
Until a few years ago, I followed the work of the AES High-Resolution committee with some hope, unfortunately none of their papers had any trusty evidence of the listening improvements of High-Rez. In fact, more recent papers seem to have strong flaws - see comments in https://secure.aes.org/forum/pubs/conventions/?ID=938 . Again I am addressing the distribution format, not the recording (capture) format and surely I prefer that my expensive DXD recordings .
I stand by my earlier comments and as a professional I do know of many instances where both pro audio and consumer audio professionals have learned from each other.
Well, learning is not exactly being led ... But we are now more in agreement.
I really appreciate your long-term support of our publication.