Wasn't that wonderful? Those Yvettes are the most pleasing speakers to my eyes that Wilson has produced. Let's touch base in person at the next show. Love to compare notes as we go along.
Much & all as he tries to come back here (every two weeks) & post as if he didn't sneak away leaving questions unanswered which were asked of him - it appears that he isn't getting away with this tactic anymore.
I suggest that we continue this approach - when he shows up again pin him down with all the questions he has tried to dodge/deflect & ignore what he posts.
Ignoring him won't work as there will always be one or two of his sycophants that will answer him & continue his presence here.
Tee hee.
We just need to be mindful that Amir is just one of a number pseudo science / psychology types. We also have Klaus right behind Amir with his pro gear and his inability to discern what he hears, and with his objective to demonstrate that if we hear distinctions between cables or other products, it most likely is our imagination. Then there's Amir's buddy Ethan Winer claiming all cables and all components sound identical and all retain the fidelity of the input signal. Klaus will deny this but he too believes the exact same thing. IOW, if there is no sonic differences between cables (as Klaus claims) that implies they all sound the same. Additionally, Ethan wrote a book entitled, The Audio Expert.
BTW, Ethan Winer uses "pro" gear and guess what? So does Klaus. Would you like to know why these pseudo science types use "pro" gear? Because of their performance!!! Duh? But if all cables and components sound the same why do they buy pro gear for their performance? That's an excellent question and I'm glad I asked. Since they lack any listening skills whatsoever, the only performance that matters to them is durability. You see, pro gear is supposedly installed at the recording studio, then perhaps moved from one hall to the next and then back again. Cables plugged and unplugged over and over. Maybe it's delivered to a live concert and then back home again. IOW, "pro" gear in their eyes performs exceedingly well when it takes a lickin' and keeps on tickin'. I know of one Ethan clone who will buy any cable so long as it's under $35 and says "Pro" somewhere on the label.
The pseudo science / psychology types have discarded their untrustworthy ears for their supposed "trustworthy" eyes. In an audio-only industry. And they have substituted the absolute sound for measurements as the new holy grail. Scotty, beam me up.
That's high-end audio to the real pseudo science type. And there are many like these, not one.
Well looks like Amir officially lost. So he had his sidekick close the thread:
http://audiosciencereview.com/forum/index.php?threads/finally-i-can-sell-my-stillpoints.1604/
Tee hee.
We just need to be mindful that Amir is just one of a number pseudo science / psychology types. We also have Klaus right behind Amir with his pro gear and his inability to discern what he hears, and with his objective to demonstrate that if we hear distinctions between cables or other products, it most likely is our imagination. Then there's Amir's buddy Ethan Winer claiming all cables and all components sound identical and all retain the fidelity of the input signal. Klaus will deny this but he too believes the exact same thing. IOW, if there is no sonic differences between cables (as Klaus claims) that implies they all sound the same. Additionally, Ethan wrote a book entitled, The Audio Expert.
BTW, Ethan Winer uses "pro" gear and guess what? So does Klaus. Would you like to know why these pseudo science types use "pro" gear? Because of their performance!!! Duh? But if all cables and components sound the same why do they buy pro gear for their performance? That's an excellent question and I'm glad I asked. Since they lack any listening skills whatsoever, the only performance that matters to them is durability. You see, pro gear is supposedly installed at the recording studio, then perhaps moved from one hall to the next and then back again. Cables plugged and unplugged over and over. Maybe it's delivered to a live concert and then back home again. IOW, "pro" gear in their eyes performs exceedingly well when it takes a lickin' and keeps on tickin'. I know of one Ethan clone who will buy any cable so long as it's under $35 and says "Pro" somewhere on the label.
The pseudo science / psychology types have discarded their untrustworthy ears for their supposed "trustworthy" eyes. In an audio-only industry. And they have substituted the absolute sound for measurements as the new holy grail. Scotty, beam me up.
That's high-end audio to the real pseudo science type. And there are many like these, not one.
Hi there. No, I did not miss them. I just skipped past them after the first line.
Did you say something related to the topic of this thread?
Yes. Your bias negates your pretensions to scientific credibility. There you go... one line. That better?
For those reading past the first line, Nassim Nicholas Taleb put it thus: "The (zealot) pathologizes others for doing things he doesn’t understand without ever realizing it is his understanding that may be limited (...) their main skill is capacity to pass exams written by people like them".
For further reading on pseudo-science (scientism) and pseudo-intellectualism as a counterfeit for robust statistically-defined thinking, more here (warning: content covers politics, Ivy league experts and low-carb diets): https://medium.com/incerto/the-intellectual-yet-idiot-13211e2d0577
Blah blah blah,
853guy
P.S. You can skip past these posts as often as you wish, it won't stop your scientism being what it is, nor dissuade me from pointing it out.
Well looks like Amir officially lost. So he had his sidekick close the thread:
http://audiosciencereview.com/forum/index.php?threads/finally-i-can-sell-my-stillpoints.1604/
Well said & applies to me too - I've been doing this for a long time now & got banned from ASR for doing this - exactly as Taleb states - Amir calls me a scorpion Could this be a more accurate example of what Taleb says?
stehno said:IOW, if there is no sonic differences between cables (as Klaus claims) that implies they all sound the same.
BTW, Ethan Winer uses "pro" gear and guess what? So does Klaus. Would you like to know why these pseudo science types use "pro" gear? Because of their performance!!! Duh? But if all cables and components sound the same why do they buy pro gear for their performance? That's an excellent question and I'm glad I asked. Since they lack any listening skills whatsoever, the only performance that matters to them is durability.
(...) So far I did not see any controlled listening test that shows the cables sound different, so this is all I know and until I see such evidence I don’t believe in cables making a difference. (...)
Yes not surprising. Mike told me they started a thread on his own streamer. And after he started talking about actually proving it's merit's with proper measurement gear, they blocked him from posting on the thread, then started trashing him. Following that, they started deleting posts that provoked a negative response from Mike, and even editing his own posts to make him look like a total prick. It made him look like he was flying off the handle unprovoked, when in reality he was responding to outlandish posts unjustly criticizing his gear. Then of course when people google his company name, this thread pops up on the 1st page. Readers researching his gear who find that thread, have no idea about the background of the forum, and what they did.
On other threads they actually went as far as replacing his words with their own, then blocking him out of the thread. They have an area called "fight club" where threads get sent once their views have been challenged too much. This section is only able to be accessed by members to avoid embarrassment to the forum.
Sounds a lot like North Korea over there!
Can’t resist to tease you once more, so here goes.
Where exactly did I make such a claim?
So far I did not see any controlled listening test that shows the cables sound different, so this is all I know and until I see such evidence I don’t believe in cables making a difference.
You’re glad you asked? Then ask again because the answer is plain wrong!
What is performance?
This is performance
View attachment 32329
and this
View attachment 32330
and this
View attachment 32331
and this
View attachment 32332
If you need to know more about the relevance of these measurements I recommend JA’s AES paper:
http://www.aes.org/e-lib/browse.cfm?elib=7171
as well as the many papers relating to loudspeakers by Toole and the Harman team.
You see, my pro gear is installed in our living room, in the kitchen, in the study, and not moved around at all. Cables are plugged in once and stay in place. How does it sound? Just in case I don’t like what I hear, I simply grab the remote
View attachment 32333
and use the 10-band parametric EQ built into each speaker (having both IIR and FIR filters) with a few million adjustment points to fine-tune to whatever sound is desired. THAT is performance. BTW., I'm running the speakers on the red line in the group delay graph, i.e. zero delay throughout the operating range. The filter generates a delay of 2 video frames hence the position of that line further up on the vertical scale.
microstrip said:So, you will use an oxidized multistrand cable of copper as long as it has the acceptable R, C and L because no one has proved it sounds poor with known and accepted blind tests?
Do you consider that the science derived from the preference tests realized by Harman are the only truth in speakers?
That the findings of other audio scientists, such as Siegfried Linkwitz, are not valid?
An analysis of 74 loudspeakers that I performed in 1991 [42] also showed a good correspondence between flatness of measured on-axis response and listener preference. Grouping loudspeakers by the log-frequency-weighted standard deviation of their response between 170Hz and 17kHz, I discovered a clear correlation between flat on-axis quasi-anechoic response and the tendency for the loudspeaker to get a positive review in $tereophile.This correlation also appeared when the overall results ofblind listening tests performed by the magazine were analyzed [43].
WHAT MAKES A GOOD-SOUNDING LOUDSPEAKER?
Dickason [76] offers some discussion of this question, but the definitive answers are to be found in Toole's comprehensive 1986 papers [77, 78]. Nothing that I can conclude from the past eight years' work, at least when it comes to conventional forward-firing, moving-coil designs, is in serious conflict with his findings. As I wrote in 1991 [79], "The best-sounding loudspeakers, in my opinion, combine a fiat on-axis midrange and treble with an absence of resonant colorations, a well-controlled high-frequency dispersion, excellent imaging precision, an optimally tuned bass, and also play loud and clean without obtrusive compression."
Yeah he said he signed up there because he actually thought they really wanted to know the real reasons why audio gear sounds the way it does. Mike says he's not in either camp himself. He believes there's no substitute for listening tests, but at the same time he's also taking measurements to a much higher level in order to prove that what subjectivist's actually hear is actually true. In other words use the tools as tools, rather than weapons. So if he succeeds on his mission, measurement tools will soon be on the side of the subjectivist's, and folks like Amir will be the occultists.
Just checked my 16 years old speaker ICs, can't see any oxidation whatsoever.
These are the only scientific tests I know of, should you know of any other, let me know.
What findings, what tests, in what peer-reviewed papers?
Toole found in his tests, that flat on-axis response is preferred. Here's what JA found in his tests and subjective reviews?
These are the only scientific tests I know of, should you know of any other, let me know.