So here's a recent incident and I would like recommendations from the "O" crowd on how I would make a purchasing decision.
The issue is auditioning a new / needs break in preamp.
It has teflon capacitors, which most folks would agree need several hundred of hours of break in.
Please describe the specific (non sighted) steps that the "O" crowd would take to conduct a ABX / DBT test against my then current reference (avoiding the use of long term memory) to determine if I should buy the "new" preamp or not. All other variables need to remain constant.
I live in a very small community in Wyoming and there are no dealers within 500 miles of where I live.
PS: The "new" preamp has one 6922 tube and it has a substantial impact on the overall "sound / performance" of the unit. In addition, I have asked twice, over the past year or so, if anyone on this forum has made a purchasing decision based on ABX / DBT or other "O" based tests. One forum member (the same in both instances) responded that they did.
Assuming this is representative (and I think it is), why are certain people so obsessed with this methodology when it is rarely, if ever, used as the basis for purchasing anything audio?
The issue is auditioning a new / needs break in preamp.
It has teflon capacitors, which most folks would agree need several hundred of hours of break in.
Please describe the specific (non sighted) steps that the "O" crowd would take to conduct a ABX / DBT test against my then current reference (avoiding the use of long term memory) to determine if I should buy the "new" preamp or not. All other variables need to remain constant.
I live in a very small community in Wyoming and there are no dealers within 500 miles of where I live.
PS: The "new" preamp has one 6922 tube and it has a substantial impact on the overall "sound / performance" of the unit. In addition, I have asked twice, over the past year or so, if anyone on this forum has made a purchasing decision based on ABX / DBT or other "O" based tests. One forum member (the same in both instances) responded that they did.
Assuming this is representative (and I think it is), why are certain people so obsessed with this methodology when it is rarely, if ever, used as the basis for purchasing anything audio?
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