They know. It's what they do.
Never mind the wife, with the money some of you guys drop on the components your bank probably flinches at the withdrawl.
They know. It's what they do.
The Continuo and Cantus arm are made by Bo Hanson of Opus 3 Recordings in Sweden the company name is Rauna of Sweden. Thanks for the welcome.
Contact Allen at Audioscape Canada and tell him I sent you his way. Regards Moray James.
http://www.audioscapecanada.ca/opus.html
They know. It's what they do.
And they know before YOU do!!! How do they do that?
Myles....mine was the P3 as well in fact I still have it stored away. It is fitted with a Grace 707 MKII arm and F9E. It was a heckuva table in its day....circa 1979.
Hi folks, my first turntable that I would consider high-end was the Ariston RD110 Superior. Very heavy (in those days) and the tonearm base is well isolated from the external vibrations. I have fond memories of it.
My first high-end table was an Ariston 11E, with a Grace 707 mk11 arm, and an ADC XLM 3 cartridge, and heavy Osawa mat. It was modified by taking out the foam from the springs, and dropping the motor from the top-plate. I never could get the belt to stay on, and the belt would pull the platter up-a truly closed system. With Klipsch Heresy's, it had the most realistic dynamics(just like people were there) i've ever heard-from soft to loud just like a person would be(I'm thinking Van Morrison here.). From there I went to an Oracle Delphi !(bought new for $125), Grace 707, Koetsu Rosewood(bought new for $50-those were the days!), Oracle Delphi 11(a step backwards), and now a Linn lp12, ekos!, arkiv, lingo, and mana reference table. I went with Linn so I wouldn't have so many variables, and they would be in business for awhile. Have you heard their Radikal dc motor? So much for the sound of a suspended deck. Of course, I have to win the lotto to afford it.