Four Hombres from Boston

PeterA

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Dec 6, 2011
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Last night four hombres from Boston had the distinct pleasure of hearing Inmo Yang and Jung-A Bang perform live in a chamber setting. We followed this incredible music performance with a delicious dinner at a French restaurant just around the corner. This was the second time that the four of us have actually all gotten together at the same time. The first was earlier this year at Ack’s house to hear recent improvements to his system.

We regularly attend the Boston Symphony Orchestra, but we also enjoy going to smaller venues to hear live music. Last night’s performance of Brahms and Schumann was very special (see program below). We sat in the second row, about fifteen feet from the musicians. We estimate the volume to have been around 90-95 dB with peaks over 100 dB. This is considerably louder than I listen at home, but Tasos and Al listen closer to this level.

The music and playing were intense. The sound was immediate and loud. The virtuosity of the players was impressive. This is music that was meant to be heard in such a setting. There were about 35 people in the audience. I was struck by the amount of energy generated by the instruments and filling the room. Ever since I heard live music up close in Vienna during rehearsals, I have been paying attention to the energy that instruments make and I have been moving my system in a direction that better portrays this sense of energy.

I am sure each of the four of us will go back to his system and listen to similar music in order to learn something. We often spend time at each other’s listening rooms, and I think we pride ourselves in being candid about what we hear. This candor has helped each one of us over the years improve the sound of his respective system. I know my system sounds very different now from the first time each of these friends heard it.

Last night was an evening full of wonderful music, delicious food and wine, and great fellowship. Thanks guys!



The Boston Group from left: Albrecht (Al M.), Tasos (Ack), Ian (Madfloyd), and Peter (PeterA)

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DB level was good info. I have the complete Shostakovich string quartet recordings and find I listen at just a slightly lower level. Always thought it was a bit loud but guess not. And it is "intense and immediate" in a very good way.
 
Great write-up Peter! Indeed, a fantastic evening, and beautiful 2006 Pomerol thanks to Ian! I've been playing the Brahms movement for years and need to locate that CD and post it here. I was wowed by the performance in general and during that piece in particular - could not hold my applause back. All in all, spectacular coordination and interplay by the performers, and killer performance.

Peter forgot to mention the violin was a 1714 Stradivarius, although it's in the program note; looked virtually new.
 
Great write-up Peter! Indeed, a fantastic evening, and beautiful 2006 Pomerol thanks to Ian! I've been playing the Brahms movement for years and need to locate that CD and post it here. I was wowed by the performance in general and during that piece in particular - could not hold my applause back. All in all, spectacular coordination and interplay by the performers, and killer performance.

Peter forgot to mention the violin was a 1714 Stradivarius, although it's in the program note; looked virtually new.

Yes, great write-up, great evening! The performance was spectacular indeed. Enormous energy to the sound.

As Inmo Yang mentioned yesterday, it was the very same Stradivarius that was used by Joseph Joachim playing the world premiere of Brahms' violin concerto (see also his website, https://www.inmoyang.com). It was a loan from the New England Conservatory, and Inmo Yang was disappointed that he would have to give it back a month from now.
 
As Peter said, the mutual influence of hearing and discussing each other's systems has helped each one of us over the years improve the sound of his respective system. I certainly would be nowhere near having the quality of sound that I have now without the influence of my three friends from our Boston group! Thanks a lot, guys!
 
Peter forgot to mention the violin was a 1714 Stradivarius, although it's in the program note; looked virtually new.

Yes, Tasos, thank you for adding this information. I smile because my new cartridge, the vdH Master Signature, has the "Stradivarius" lacquer finish which I understand is partly responsible for its glorious sound. Each of three coats takes weeks to cure before the cartridge can be assembled. I don't know what is responsible for what, but I will say that this cartridge captures the raw energy of musical instruments on my recordings better than do my other cartridges with metal enclosures. The tonal balance of the Master Signature also more closely resembles what we heard last night than my other cartridges.

Live performances like last evening's used as a reference can certainly inform the listener about the sound of his system and provide him with some direction about future improvements.
 
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are you hombres all trading in your rigs for horns/SET now? that's what inquiring minds want to know :D

Hehe, well apparently you aren't :D
 
are you hombres all trading in your rigs for horns/SET now? that's what inquiring minds want to know :D

Thanks Keith. Someone was surely going to ask this question and we joked about the subject last night over dinner, or perhaps on the drive home, I can't remember. Lots of good wine. I have no immediate plans to do so, but I remain open minded about such a system.. If I ever return to my system after such an evening and don't hear the magic, I would certainly consider it. I suspect I would just need a much larger room and budget.

Sorry if I answered your question seriously. Perhaps you were making a joke. I've been accused by our British friends of not understanding dry humor. I am chuckling now as I type this and am getting ready for my afternoon cup of tea and music session. I'll respond later in the "How Satisfied" thread.:)
 
Horns for hombres will make a catchy thread title
 
Thanks Keith. Someone was surely going to ask this question and we joked about the subject last night over dinner, or perhaps on the drive home, I can't remember. Lots of good wine. I have no immediate plans to do so, but I remain open minded about such a system.. If I ever return to my system after such an evening and don't hear the magic, I would certainly consider it. I suspect I would just need a much larger room and budget.

Sorry if I answered your question seriously. Perhaps you were making a joke. I've been accused by our British friends of not understanding dry humor. I am chuckling now as I type this and am getting ready for my afternoon cup of tea and music session. I'll respond later in the "How Satisfied" thread.:)
Very nice... an evening listening to wonderful live music and a Strad and good wine with friends makes it sound great... and then all go back to systems that continue to make you happy (be they cone panel horn SS or valve). Perfect.

Sounds like the pleasure is still very much in the sharing in music and wryly recall also what the original Boston hombres did to the Brits and their tea back in 1773... PS thanks for sharing a great night.
 
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are you hombres all trading in your rigs for horns/SET now? that's what inquiring minds want to know :D

Yes, and the only worthy source is cassette. Oh lucky me, I have a Dragon
 
This is the Brahms I have with the Scherzo from the F.A.E. Sonata. Nice recording, and close enough to what we heard last night. But it being a Decca, it ain't going to be the best. But the performance is really great.

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Fabulous that the 4 of you get together and enjoy fun times such as this. As I said in a different thread its more than all about the music. It's the friendships that are kindled along the way

Great story Peter.

I would have loved to have heard that Strad
 
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I suspect I would just need a much larger room and budget.

You don't have to use full horns, but if you want the scale of volume you'll need sensitive speakers that can do those types of volumes. There may be a sacrifice in the "3Dness" of the soundstage... well pretty well for sure. A bigger room would be nice, but not required. If you have loud enough speakers you won't really even need to sit in the room anways o_O
 

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