...and I am astonished* by the sound! So I thought I would share the experience...
The musicians are alive, they have presence, and the instruments are real, they have size, weight, highs and lows... and the music sounds right - complete and coherent and widely dynamic.
On a side note, there is at least 1.5 extra octave in the bass and sustained, high energy. I didn't know that digital had /hid so much bass (maybe it survived the mastering police because they couldn't hear it
)
Some things are probably similar to what Mike (Lavigne) experienced with the big Wadax, albeit I no longer have my Select II, so the contrast in my case is much bigger.
So far the Epsilon has only about 100 hrs on it at home but as it's the Munich 2022 piece it has accumulated some mileage already. I'll wait a while before I address speaker positioning and similar audiophiliac syndrome considerations to take over. For now, it's the music and, of course trying out native DSD
*Before I had to downsize & sell, I had reasonably good systems (Select II, Simon Yorke TT / Praedikat; Gen Vs modded by their late lamented designer; Symphonic Line, CAT, and Goldmund electronics; Valhalla cabling...) and equipment changes would bring about perceived improvements -- i.e. more resolution here, more dynamic impact and swings there, crispier presentation, etc.
The sound with the Epsilon is in a different dimension altogether.
It is also orders of magnitude
better than what I heard at the Munich show -- which goes for most show conditions no doubt. Additionally the Ideon room at deLuxe was small and dwarfed by those huge speakers...
Anyway, I hope it all doesn't go away and I'll keep you posted!
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