Yep, that one is in there as well!Welcome to all tubes system gringo
And these NAT block monsters look amazing!
Big congrats!
PS - you forgot to mention important spice in the GG3 - WE274 rectifier
Yep, that one is in there as well!Welcome to all tubes system gringo
And these NAT block monsters look amazing!
Big congrats!
PS - you forgot to mention important spice in the GG3 - WE274 rectifier
Hi all, so a bit of an update on my end with regards to the system. Behold the NAT Magma M!
I've only been with this amp for a day. Coming off of years of listening to Dan D'Agostino first the stereo amp and now the M400 monos, I was fully aware of what I'd hear on my Coltrane 3 SE with a single-end class A amp, but what I definitely did not expect is the level of control that Magma M (set in high power mode) has over my speakers.
The bass is more tuneful (if that's a thing) while retaining the speed and slam similar to what I hear with my M400s.
As far as the tone, the solid state M400s just don't sound as much as music as Magma M does. The Magma M sound brings you closer to the performance, adds a lot more body to the instruments and voices and (not surprisingly) reveals far more intimate details in the recordings. Two things struck me here, the almost eerily realistic reproduction of Tony Bennett's voice on Bennett & Brubeck: The White House Sessions, and the sound of string instruments on the Vivaldi in Venice recording, where violins and cellos retain the creamy mids you'd expect to hear in the body of these instruments and the pleasant highs which solid state just doesn't reproduce in the right way (especially when listening to these instruments live and then comparing to hi-fi).
After a three hour listening session yesterday, I was lost in the music in the way I haven't been in over a decade.
What also helps (looking at the system as a whole) is the addition of WE 300B tubes (new ones), to my Lampi Golden Gate 3 DAC. To my ears, these 300B tubes have a special tone, easily recognizable and highly tuned to my hi-fi sensibilities.
Hey Bonzo,thanks. did you ever compare the Nat with the Trafomatic? Is that possible where you are
Hey Ron, thanks! So far, to use that old cliche, I’m rediscovering my music collection.Congratulations on those NAT Magma Ms! They look amazing! I’m sure they sound even better!
I looked on Dejan’s website, but I can’t really figure out the differences between the new Magma M and the older Magma New SE. Do you know what the improvements are for the Magma M?
Hah! Quite the poetic analogyThundersnow, something so evocative about those monster tubes restrained by cages.
Personally speaking Ron, the price differential is the reason to be more comfortable with the Magma than the Drina.Congratulations, Thundersnow! They look amazing!
Bluntly, by using Eimac 450TLs Dejan has greatly improved his game in the Magma amplifier! That tube, used in the Trafomatic Drina, is the main reason to be more comfortable with the Drina than with the Magma.
Congratulations Thundersnow, awesome looking amplifiers… also loving the big Trafo Drinas. If it’s ok to ask what sort of pricing are these set at… and in getting the Eimac 450tl tubes upgrade… are the Eimacs still reasonably available.Hey guys, a quick update on my slow-rolling evolution of the system. I was previously testing with Magma M’s from NAT to see if they’re up my alley. I saw huge potential in the sound and decided to take the plunge. However, I was testing previously with what I believe are the standard GM30 tubes. For my own pair, I managed to procure a pair of Eimac 450TL tubes.
The difference in sound is substantial in favor of the US tubes. Less heat emission (which is a big thing for me) — not to mention the added clarity in the sound, control and tighter bass. As it is, the 450TL is a higher power tube than the GM30 and with that comes a higher damping factor. This controls the Coltrane 3’s in such a way that I don’t see a need for bi-amping that I was experimenting with previously.
I have only spent a couple of hours with the amp, but those are the quick first impressions.
Also, as another update, I ended up with using the KR PX25 Anni tubes in the GG3 Lampi DAC, to go along with the NOS WE 274A tube (use it with an adapter). As compared to the stock 45’s (which in retrospect and having tried a few different tube setups are the worst I’ve heard), and comparing to new WE 300B the PX25’s are clearly better in every way than the 45’s and maybe only lack a touch of tube magic/warmth on the 300Bs, but improve on dynamics, sound stage and bass considerably.
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Marc, you’re not allowed to be falling into big valves a second time… not sure Ra would approveAre the Magmas M auto biasing? There's at least 1000V of potential you don't want to mess with.
Marc, you’re not allowed to be falling into big valves a second time… not sure Ra would approve
Hey Tao, thanks. Wrt pricing, I’d reach out to NAT. Not really familiar with their politics so don’t want to overstep on my part. I’m just a happy customer. As for the Eimac 450TL, my impression is that those are not reasonably available at this point. Which is such a shame. Hopefully, NAT or Trafomatic can sort that out because they are considerably better than the GM tubes imo.Congratulations Thundersnow, awesome looking amplifiers… also loving the big Trafo Drinas. If it’s ok to ask what sort of pricing are these set at… and in getting the Eimac 450tl tubes upgrade… are the Eimacs still reasonably available.
No worries, much appreciated, just thought I’d ask. I did a search and saw high $20k’s USD but I just wasn’t sure if that was per mono or for the pair.Hey Tao, thanks. Wrt pricing, I’d reach out to NAT. Not really familiar with their politics so don’t want to overstep on my part. I’m just a happy customer. As for the Eimac 450TL, my impression is that those are not reasonably available at this point. Which is such a shame. Hopefully, NAT or Trafomatic can sort that out because they are considerably better than the GM tubes imo.
I really think they are. Absolutely agree about NOS tubes being the special little twist in this game. Eimac 450TL in this case is what got me to think “yes, this is what was missing from the sound I was hearing when I was auditioning the amps with the GM30s.’It’s a shame about the challenge of Eimac 450tl avails, sound like they are an important element in really finessing these amps.
The anxiety about attaining rare NOS tubes in an ongoing way once you’ve experienced their great value is a bit of an ingredient in these pathways. Just great to hear about these amps… they seem to be more than a bit special.
The Ags aren’t going anywhere. I need an amp for the hot summer daysI am sorry. I would buy the D'agostino based on looks alone. I would just have to find a speaker that makes them shine.