I used to buy lots of second hand jazz records from Japan between 2006-2009. I quit buying Japanese pressings because I noticed I didn't like their sound signature. I gave away almost all of them but I always wonder why they sound bad (at least to me) other than being cut from later generation copies of the master tape. There is also the tape degradation regarding that '50s and '60s albums released in Japan at '70s. Besides being cut from a later generation copy maybe they were also cut from well used/worn out copies. I don't know but something else may also be responsible for the final sound of Japanese pressings.
I have U.S. and Japanese pressings for the same direct to disc album. Both were cut from same lacquer and probably from the same mother. Both have the same hand writing and "MASTERED BY CAPITOL" etched on the matrix area. So, there is no mastering differences here. Both are from same mastering chain, same lacquer, no tape, cause it's direct to disc recording. The only difference between the two is PVC material and pressing plant.


Sonically there is a big difference between two to my ears. Japanese vinyl is quieter but sounds very dull, dark. On the other hand U.S. pressing is noisier but sounds more lively and right. I ripped them and loaded them on FFT to better see what's going on. When two files are normalized (exactly same 8.1dB gain applied) Japanese looks 1.1dB quieter than U.S. It's strange that only pressing plant and PVC material can make a 1.1dB difference. BTW both examples are very clean visually.


Japanese one is quieter but doesn't sound better to me. I liked U.S. pressing much more. Below the files I ripped. You can listen without downloading them.
U.S. pressing
Japanese pressing
I did same kind of comparison for another direct to disc album. This time U.S. and German pressings. Both sourced from same lacquer and probably same mother but German pressing is slightly better than U.S. I still find it very strange that pressing can make a huge difference.
I have U.S. and Japanese pressings for the same direct to disc album. Both were cut from same lacquer and probably from the same mother. Both have the same hand writing and "MASTERED BY CAPITOL" etched on the matrix area. So, there is no mastering differences here. Both are from same mastering chain, same lacquer, no tape, cause it's direct to disc recording. The only difference between the two is PVC material and pressing plant.


Sonically there is a big difference between two to my ears. Japanese vinyl is quieter but sounds very dull, dark. On the other hand U.S. pressing is noisier but sounds more lively and right. I ripped them and loaded them on FFT to better see what's going on. When two files are normalized (exactly same 8.1dB gain applied) Japanese looks 1.1dB quieter than U.S. It's strange that only pressing plant and PVC material can make a 1.1dB difference. BTW both examples are very clean visually.


Japanese one is quieter but doesn't sound better to me. I liked U.S. pressing much more. Below the files I ripped. You can listen without downloading them.
U.S. pressing
Japanese pressing
I did same kind of comparison for another direct to disc album. This time U.S. and German pressings. Both sourced from same lacquer and probably same mother but German pressing is slightly better than U.S. I still find it very strange that pressing can make a huge difference.
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