I could never be a good reviewer. Aside from not having great writing skills, I don't know when to stop when it comes to moving cables, components, and tweaks, and this is especially true of the Aeris. The Wavelet, of course, adds another dimension, having a 'built-in' DAC, a preamp, and room correction. And then there's the cables. I have logged hundreds of hours of testing. My wife too, is not one to let anything she feels is amiss. But this is our journey, so here it goes.Part 3
The Sound without the Wavelet II
I anticipated hearing loose, boomy bass and a less cohesive soundstage without the Wavelet. However, I was pleasantly surprised. The bass remained tight and well-controlled, still delivering some of the best bass I've ever heard. I'm comparing this to Wilson speakers, which are known for their bass performance. I don't mean to suggest that the Aeris outperforms the Wilsons; I'm merely stating that I can't remember better bass, and the Wilsons were exceptionally good in that department. As I played track after track, the sound remained visceral, dimensional, and cohesive without the Wavelet. Perhaps there's even greater purity in the recording that I'm hearing?
I attempted to remove the Waversa LAN network filter but found that after about three minutes, I had to put it back in. The sound became noisy, and the Aeris speakers proved to be quite sensitive, more so than any other speakers I've owned, in terms of their sensitivity to the source. I've been using a $1400 Serbian-designed preamp in place of the Wavelet. My gut feeling is that this allowed the Allnic D10000 DAC to showcase more of its inherent purity of sound. The Allnic DAC doesn't employ output transformers or output coupling caps, and when I mentioned that it doesn't sound like a DAC, I truly mean it. Music simply flows through it. I found the Holo May KTE DAC to be a fine instrument, and while it was the best DAC I owned before the Allnic, I don't miss it either.
Cables and Power Supplies
As I mentioned earlier, the Aeris and the upstream components, particularly the Wavelet, require high-quality cables and power supplies. Linear power supplies are difficult to find (at least until yesterday), and I've been using the provided switcher. Without a doubt, the sound will improve with better power supplies and power cables. I've had the opportunity to use a 3m Audioquest Pegasus on loan and hope to test a Kabula Sosna cable someday. I also used the DH-Labs Revelation cable, which I purchased for the connection between my turntable and the Wavelet—it was spectacular. The speakers come well-equipped with a full complement of cables and other accessories to help you get up and running without the need for online orders or trips to the hardware store. I like that!
What I Didn't Like
The $15 remote control. I don't understand the strategy here. I would have gladly paid $50 or more for a high-quality remote control. In fact, I recently spent $32 on an AliExpress remote with only four buttons, made from milled aluminum. The remote that came with the Wavelet has unnecessary extra buttons, and the volume up and down buttons are painfully slow. The Wavelet offers fine-tuning of the volume control, and perhaps I'm using it incorrectly?
The Wavelet screen. It appears to be made of glass and reflects the floor, which, in my case, is white carpet. I can see the white carpet clearly, but the display is hard to read. I've placed a large black cloth on the floor in front of the screen to alleviate the issue, but it's not an ideal solution. Perhaps I can find a non-reflective coating or tape to address this problem. Of course, I could also consider relocating the Wavelet higher on my rack, but the higher areas are reserved for sources that I can easily access.
Regarding streaming, it's essential to ensure your network is well-maintained. The Aeris will reveal any network noise you haven't addressed. This isn't so much a dislike as it is a heads-up for potential buyers.
I ordered extra coats of finish for the speakers, but I can't discern whether that's what I received. This is a minor point, as I don't know the difference.
I will continue my thoughts on these speakers as they continue to settle in, the cables too as well as the Eventual LPS for the Wavelet which was surely handicapped.
Side Note:
It was confirmed by Legacy Audio, the Wavelet II produced not output in their testing. The first they've seen of this. A new one has been shipped.
The Wavelet II arrived, and so did the 3m Kubala Sosna balanced cable to do battle with the Pegasis and the Revelation. I won't go into details, but for our ears, the Revelation was the winner, giving the music more focus, clarity, and especially space, and my wife likes space. My wife noted a 'buzz', for lack of a better word, with some tracks. It bothered her ears. I didn't note that through my listening but did take notice that when music, and it does especially with rock music, everyone is playing at the same time, of course it sounds a bit busy. That's just normal for this former concertgoer. So I swapped my venerable Verastar XLR's for a pair of Allnic RCA's. That was surprising. For some reason, the Verrastars did not like the connection between the Wavelet and the Allnic integrated. The Allnic RCA removed this 'buzz' to an extent, and my wife was happier as was I (you know happy wife hap..). The system was sounding fine except for one nagging issue I had with the setup. I did not like the idea of having my Allnic Dac reprocessed through the Wavelet. Remember, I really liked the sound without the Wavelet. The Wavelet brings in room correction, which works well. It has tone controls and user-defined presets for various sound profiles, depending on what one is listening to. But it loses something too. It can't compete with the Allnic's DAC by itself. Around this time, I got word that my buddy had to give up his Usher Grand Tower speakers. They won't fit in his new home, so he offered them to us at a very good price. We know these speakers. The best speakers we had ever listened to, while listening to symphonies or classical music, I started thinking... Then arrived a Linear Tube Audio power supply for the Wavelet. Let it be known that this is an essential piece of gear when purchasing or owning the Wavelet. This added depth and clarity and widened the stage a bit, as expected. At the end of the day, it was the DH-Labs Revelations that won us over. Everywhere we put them, someone had cleaned a window into the music.
The Wavelet in full control.
Now that we have a proper power supply feeding the Wavelet, how might it sound if I removed the Allnic DAC and employed the Wavelet's built-in DAC all by itself? Not just that, I removed the Allnic T2000 30th integrated and replaced that with my BMC-S1, a 200WPC 100-lb German-bred amplifier. Upon first listen, it was somewhat laughable. The sheer amount of clarity and dynamics was startling. My wife loved it. The 'buzz' was gone, and space? Now we have an amazing amount of separation, and while I wouldn't say one was placing instruments in specific locations on the stage, they were clearly defined and occupied their own space. Percussion instruments rang distinctly, often well in front of the speakers. Again, my wife really loved what she was hearing and remarked that this is what she's been waiting for. My own feelings were somewhat doubtful at first. - continued