Looks very nicely done in there. Are the Audyns your favourite caps of all? I would like to hear the True Copper. Think Barry uses that in his 45 amps.
I think Mark of audio detail/universum uses Audyn in his DIY iirc
Looks very nicely done in there. Are the Audyns your favourite caps of all? I would like to hear the True Copper. Think Barry uses that in his 45 amps.
I think Mark of audio detail/universum uses Audyn in his DIY iirc
Do you know which ones Ked? The MKP are fairly cheap but True Copper are a lot more. Not like Dueland silver cast or V Cap but expensive for sure.
The biggest problem I with this hobby is that everyone seems a bit weird. No normal people on this forum
To answer your questions... Yes, cap mods were done in stages. Many stages indeed. The first coupling caps I used (for about a year) were Mundorf Supreme SGO. Then I tried Audyns and realised film can not compete with foil. Ended up using CAST Silver Foil Duelunds as my main coupling caps, which I first bypassed with Audyns and 0.01uF precision Duelunds. Eventually, I replaced the Audyns in that position with the Jupiters. That trio will stay there for ever. Splendid! Remove CAST Duelunds and we've lost top end agility and liveliness. Remove the Jupiters - and we've lost fabulous mid range. Top copper and silver foil really complement each other well.Ayreman,
Epic effort, must be great to have finally hit your goal with regards to the upgrade after all these years.
Had you done the cap mods in stages and had you been able to in any way evaluate the big picture returns on the various different cap mods. Eg the Duelund Casts v Jupiter v Audyns?
Will you also have some potential down the track to compare your modded ARC anni to some other equivalent preamps once all the new caps have settled in and formed up. Ideally another Anni and a ARC ref 10 but also maybe even a Gat 2 or a Thomas Mayer 10Y.
Not suggesting a showdown and shootout session as these things are always coloured by the system and the pressure of needing an absolute outcome and nominating a winner... but it would however be fascinating to do some well considered compare at some point to a more generic benchmark preamp for reference.
Also not wanting to be at all invasive or graceless is it also possible to give some even ballpark indication in the cost of the upgrades? There is certainly plenty of copper and silver sporting in that beast now... and while the naked pics are doing a fantastic job of flexing the hefty sonic muscle of the new parts but it would also be great to then get down to the actual arm wrestle at some point and give some qualification about specifically what you are hearing and what all this heroic adventure has actually bought in terms of reshaping the sound and or the nature of the ARC Anni.
Very looking forward to hearing how it’s all sounding. Congratulations. Cheers
Tao
CongratulationsTo answer your questions... Yes, cap mods were done in stages. Many stages indeed. The first coupling caps I used (for about a year) were Mundorf Supreme SGO. Then I tried Audyns and realised film can not compete with foil. Ended up using CAST Silver Foil Duelunds as my main coupling caps, which I first bypassed with Audyns and 0.01uF precision Duelunds. Eventually, I replaced the Audyns in that position with the Jupiters. That trio will stay there for ever. Splendid! Remove CAST Duelunds and we've lost top end agility and liveliness. Remove the Jupiters - and we've lost fabulous mid range. Top copper and silver foil really complement each other well.
No more comparisons will be done in my system. Stock gear does not excite me any more. With any price tag. These days I prefer to enjoy what I have here...
Cost of mods... I never kept any financial records. You can see it all on the pics. Just grab a calculator and do your maths. I never cared what it cost because I am addicted to best
I find attempts to describe the sound futile. Words are pretty much meaningless because everyone will interpret those words based on his own scale of reference. All I can say is that resolution has gone up tenfold. The sound is natural, organic and utterly addictive. Music plays here, right in front of my nose, not there in a distance and I find it very hard to stop listening to it. Taking vacations is a problem. 3 days go by and I already want to go home to listen to some music. I sopped attending live concerts with amplification. Everything here sounds so much better...
I had to decrease overall factory capacitance. If you want decent copper foil caps in there (like Audyn TCM) and no film, that's the only way. In the copper foil league everything is 5 times larger in size and space is very limited. But in this case quality turned out to be a lot more important than quantity. I had conducted a series of tests before decreasing capacitance. Wasn't sure initially but the test results were right in your face.Ayreman,
On your power supply did you increase the capacitance or just maintain overall factory capacitance?
That's exactly right.Ayreman,
Same question for the output caps of the preamp did did you modify the values based on the input impedance of your power amp?
Foil capacitors would've been double, if not triple the size! That's why I mostly went with Audyn TCM - they are the smallest in the copper foil camp.I had the psu of my Border Patrol preamp upgraded to film capacitors. They were the size of a can of coca cola.
Ked, are you talking to your mirror again?The biggest problem I have with this hobby is that everyone seems a bit weird. No normal people on this forum