Also Frantz there is the consideration of the recording studio and capability of the digital audio workstations, where many currently may still not even record at 192khz.
A classic example of what the studio can support is Linn going back to their SACD and DSD native recordings (one of a few studios that could record natively for SACD), they found that in practical terms they had to convert the native DSD to high rez PCM and convert back to DSD even in the studio.
These days they now only do high rez PCM in terms of the studio (how recorded), currently their studio masters are limited to 192khz and 24bits.
Bruce, any chance you can mention if the product is intended to be used in the pro environment and its purpose?
Sounds really interesting, even if it is currently showing what is capable in the future or with existing infrastructure.
Thanks
Orb