OK, so not like for like. No I agree, XLR costs more to build, considerably more, but that misses the point raised. It is not the technology that determines SQ, it is implementation.
I would beg to disagree with this quote. Vladimir Lamm will never use a "true" balanced connection. He does use XLR outputs from his preamps to XLR inputs to his amps but these are pseudobalanced with one of the pins shorted.
Not only Vladimir but so also many designers only use SE so I completely disagree with your post
OK guys, I hand in my arms on this one
You all actually got me curious again about the validity of my conclusion on SE/balanced. The explanation of audioexplorations makes sense, as does the explanation of Steve Williams.
I do have some Cardas converters to be able to connect an XLR cable to an RCA in- and output. This is the way I tested the Lamm L2. No doubt such connectors lead to a loss of signal quality.
Hence, I wll reassess this when I am enabled to make some direct comparisons as all my cables now are with XLR termination. Meanwhile, I do hope the test report may be useful to the wider community although it is nothing more than a one-person's view. If I were to look at evaluations of others only, my system would be looking very different i guess.
cheers.
OK guys, I hand in my arms on this one
You all actually got me curious again about the validity of my conclusion on SE/balanced. The explanation of audioexplorations makes sense, as does the explanation of Steve Williams.
I do have some Cardas converters to be able to connect an XLR cable to an RCA in- and output. This is the way I tested the Lamm L2. No doubt such connectors lead to a loss of signal quality.
Hence, I wll reassess this when I am enabled to make some direct comparisons as all my cables now are with XLR termination. Meanwhile, I do hope the test report may be useful to the wider community although it is nothing more than a one-person's view. If I were to look at evaluations of others only, my system would be looking very different i guess.
cheers.
The only advantage of balanced cables is for huge cable lengths; the audio signal is carried twice within the cable, one being in inverted polarity, and any difference between these signals is noise it has picked up along the which is removed inside the amplifier by the balanced circuitry. Sometimes this additional circuitry harms the sound, and in these cases SE sounds better (unless you use a long cable run in a noisy environment where the noise suppression outweighs this benefit).
I have read somewhere that XLR is applicable mainly to studio's that have 10-20m runs of cables with a large number of different cables in a mess all hunched up together.
Something in favor of SE is that more conductor material is used. Let's say a 1000$ SE cable may have a single 14 AWG silver conductor, this same 1000$ cable in balanced XLR version will have the same amount of cable mass, but split over 2 conductors, so two conductors of only 17 AWG each.
one wonders why XLR exists then? Surely not just to enable long cable runs or maybe so? As I wrote, it is a taste of personal interpretation and expectation of how music should sound. I can well imagine that someone like tb1 finds a balanced setting too revealing or feeling unnatural.
Concert Fidelity preamps, hands down, end of game.
I would run the entire test again wearing blindfolds/having someone else do the switching.
The blind test is the gold standard in all scientific testing and research.
Why should this be different?
As you approach the pinnacle of quality, they should all begin to sound the same. "A wire with gain."
I don't understand why applying blind tests is willy-nilly. If you want to find what sounds best to you, listen with your ears, not your eyes.
Have someone play the components for you. Why do you need to know what manufacturer you are listening to if the idea is to pick what sounds best to your ears? People here have said they can pick out a component 10 times out of 10. If that is the case, you don't need to see what you are listening to if the intent is to satisfy your ears.
I don't understand why applying blind tests is willy-nilly. If you want to find what sounds best to you, listen with your ears, not your eyes.
Have someone play the components for you. Why do you need to know what manufacturer you are listening to if the idea is to pick what sounds best to your ears? People here have said they can pick out a component 10 times out of 10. If that is the case, you don't need to see what you are listening to if the intent is to satisfy your ears.
Same experience. If I needed to go XLR to RCA, I'd take a long hard look at Steve McCormack's Interocitor. Otherwise, I'd just use the RCA outputs. Don't know of too many manufacturers that don't pay at least as much attention to their SE outputs as their balanced.
You would think that audiophiles would jump at the idea that they don't have to have expensive cables to make things work, but IME it seems that the Veblen Effect (http://en.wikipedia.org/wiki/Veblen_good) rules the roost.