caesar; especially a model that is at the end of its production cycle[/QUOTE said:Why would that be??
caesar; especially a model that is at the end of its production cycle[/QUOTE said:Why would that be??
I think I saw they are moving to all-aluminum enclosures now
Wow if it takes this long to sell a speaker at almost half off, how does Andy sell any at retail price.
Their damm stiff enclosure is a combination of cast aluminium casings and a Resonance absorbant material in between .
Aluminium is all the hype these days with audiophiles so rockport might just be giving people /audiophiles what they think is best with this particular model ( and what magazines think its best)
I d take the " resin? "based cabinets of the arrakis anyday over an aluminium one because aluminium rings and needs to be braced intensively ,its not the most dead inert material to start with, afaik rockport has its own composite material and pours it into a mould
I played with the idea myself in search of a reliable HPL producing/constructing company , it would be my second choice of material .
The new Lyra enclosure
https://www.youtube.com/watch?v=f-TjOCuFZcU
Quite sophisticated, but imo its the same with housings /membrane material , no matter how high the design /material /technical / X over claims are , you are not listening to a laboratory device ,but to reproduced sound so its still a matter of trusting ones ears in the end, you can measure a lot but not everything.
Ps secondly the molded enclosures of the Arrakis /altair give more design/shape freedom then for example this Lyra design or magicos. yg s
It would be very hard to produce a curved speaker like the Altair/ Arrakis from aluminium, so you end up with a speaker with different dispersion/cabinet diffraction characteristics then those .
Those speakers are damn stiff!! ;-)
It's funny because when I asked Andy a couple of years ago why don't you use aluminum, he said his cabinets are quieter than any out there. He was referring to Magico, YBA, and Wilson's. Yet, now he is going to aluminum. I really think he should have stuck with composites and not caved in to the media on the aluminum thing.
It's funny because when I asked Andy a couple of years ago why don't you use aluminum, he said his cabinets are quieter than any out there. He was referring to Magico, YBA, and Wilson's. Yet, now he is going to aluminum. I really think he should have stuck with composites and not caved in to the media on the aluminum thing.
It's funny because when I asked Andy a couple of years ago why don't you use aluminum, he said his cabinets are quieter than any out there. He was referring to Magico, YBA, and Wilson's. Yet, now he is going to aluminum. I really think he should have stuck with composites and not caved in to the media on the aluminum thing.
the $170k price is about marketing both this used set, and current new sets, not present value. present value is based on the street price of a new set of Arrakis listing for $235k.....and an adjustment from that based on condition, age and difference compared to current new spec.
for instance, it may have some of the newest parts, but maybe not everything the same as new.
any buyer for this pair will be talking to Andy first about a new pair. so it's all based on how that goes.
Although I do not have significant experience with Rockport speakers IMHO your comment is overlooking the situation. As far as I read elsewhere Andy uses aluminum precisely machined in a well though design as rigid skeleton to cast custom polymers around. Combining materials is a key point in speaker design - probably only now he felt he could get the proper materials with the acoustic properties, adhesion and longevity needed for his speaker ideas. IMHO we should congratulate him for being able to use the best of today technology in high-end speaker development.
Fom TAS : http://www.theabsolutesound.com/articles/heroics-in-maine/
For the Lyra, which has a price tag of $149,500, the entire enclosure is comprised of just two parts, a main outer housing and a baffle/inner housing. Both are fabricated from aluminum, which is significantly denser than either fiberglass or the carbon-fiber material used for Arrakis’s baffle. This isn’t the first time Payor has used aluminum parts in his cabinets, but the fabrication of the shells from the metal is new. Ribs, grooves, and braces that are cast into the two hefty parts further improve the mechanical/acoustic properties of the enclosure, and a new formulation of the polymer core material (the result of a lot of experimentation with the ratio of the urethane resin to various sorts of filler) is employed, around 11 gallons of the stuff, which contributes over 150 pounds to the weight of the loudspeaker. The enclosure’s construction—the two aluminum shells plus the intervening polymer—has been designated DAMSTIF by Payor, who is in the process of getting the name trademarked. (He’d better hurry before the pharmaceutical industry gets wind of the term and uses it for a men’s health product.)
The reality is they are used and upgraded
Big speakers have no market at the present time unless of course there is a believer at the asking price.
If I were in the market, to me I would not pay more than $125K
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