Not at 90dB. I had a shorter model of this driver and 90dB is no problemRibbons under stress …
Not at 90dB. I had a shorter model of this driver and 90dB is no problemRibbons under stress …
Totally different drivers and this one is only operating from 200hz or so and up. No bass makes a big differenceSo changing to triode mode does not affect drive? The Ayon Orthos II, when run in triode mode on apogee duetta, would stop playing - actually stop - on Gnomus. On Pentode it would drive through.
Plus Ayon Orthos is less powerfulTotally different drivers and this one is only operating from 200hz or so and up. No bass makes a big difference
Totally different drivers and this one is only operating from 200hz or so and up. No bass makes a big difference
So?? Different speaker different amp…no connection. I owned Apogee Caliper signatures for many years, even drove them a bit with Cary CAD-572se monos (20 watts) just fine…didn’t have an amp die on them even once. They were harder to drive than Duettas because they were 3ohm for the most part. The BG driver is a flat 4 ohms and 89dB…not really challenging.I am saying it stopped playing
So?? Different speaker different amp…no connection. I owned Apogee Caliper signatures for many years, even drove them a bit with Cary CAD-572se monos (20 watts) just fine…didn’t have an amp die on them even once. They were harder to drive than Duettas because they were 3ohm for the most part. The BG driver is a flat 4 ohms and 89dB…not really challenging.
The 75 inchers are nominally 6 ohms (longer than the 50 inch, more impedance), even easier.The BG driver is a flat 4 ohms and 89dB…not really challenging.
Could be some kind of amp protection mode on the Ayon…they are quite Sophisticated amps that way. For sure it wasn’t the load or the power. You shoukd be surprised because to hit 90dB at Ron’s listening position would take less than 10 watts. Do the math…and remember that a line source drops off at half the rate of a point source. With my Acoustats I measured only about 1dB drop from in front of the speakers to my 3 meter listening distance…now my room was not very big so a larger room will experience a bit more.Ok, but if it shuts in triode mode and not in pentode mode, it was not just a difference in loudness. In tridoe it was still 180 watts. So it is losing drive for sure. I know you preferred NATs on Apogees as well which were 6 ohm, and I heard them underdriven. So, I am not surprised Phil heard clipping with the VTL in triode mode.
Why are you comparing apogees to these ribbonsOk, but if it shuts in triode mode and not in pentode mode, it was not just a difference in loudness. In tridoe it was still 180 watts. So it is losing drive for sure. I know you preferred NATs on Apogees as well which were 6 ohm, and I heard them underdriven. So, I am not surprised Phil heard clipping with the VTL in triode mode.
Why are you comparing apogees to these ribbons
Except apogees are low efficiency speakers, his Pendragons are moderate and the NATs aren’t push pull so outside 8ohm impedance should be difficult.i am stating the fact that the triode mode worked differently to the pentode mode in drive. I have also heard NAT transmitters on 6 ohm apogee, they don’t work well on the highs either, not just bass.
No, what you heard was crappy Apogee active crossover making not nice highs. Honestly you are really out of your depth here and talking a lot of nonsense.i am stating the fact that the triode mode worked differently to the pentode mode in drive. I have also heard NAT transmitters on 6 ohm apogee, they don’t work well on the highs either, not just bass.
Also, you are trying to compare a different brand of amp, that is designed differently on a different speaker…how can we take that seriously? Do you know somehow that the Ayon Orthos and VTL are the same design?? Now you throw NAT Transmitter into the mix on again another speaker.i am stating the fact that the triode mode worked differently to the pentode mode in drive. I have also heard NAT transmitters on 6 ohm apogee, they don’t work well on the highs either, not just bass.
I owned Apogee Caliper signatures for many years, even drove them a bit with Cary CAD-572se monos (20 watts) just fine…
I tried a 24 watt LM219ia on my 86db very easy 6ohm Maggie 20.7s… nice when there was just a girl and a guitar but other than that Jose also wasn’t having a bar of it. The essential drive was missing in action… as lovely as certain moments were. Same SET amp on the Devore 0/96 upstairs was rocking the room with plenty of verve. But a hell amp to carry up stairs though20 watts on 84dB sensitivity speakers? I am going to call "no way, Jose!" on that one!
Probably need a bit of break in. Tetrodes can often sound “glassy”.The tubes are pretty much new.
Flat impedance on 4 ohm tap gives probably 10 usable watts. 84 dB for 1 watt, 87 for 2, 90 for 4 watts, 93dB for 8. Probably could just about hit 95dB. Keep in mind this was in a 20 sqm room. That is for just one speaker. Now add at least 3dB for a pair of speakers and a drop off of 2-3dB for the listening distance. For normal listening no problem. Sounded a bit loose in the bass (Cary transformers were a bit undersized) but otherwise just fine. Was it better than my Sphinx Project 14 mkiii that made 360 watts into 4 ohms? No but it wasn’t nearly as far behind as you might think.20 watts on 84dB sensitivity speakers? I am going to call "no way, Jose!" on that one!
Maggies always needed more juice to “wake up” than Apogees. My friends and I learned this through many pairs ( I never owned them…they did). 1.5qr, 1.6qr, 2.5r, 3.6r…etc. Apogee sounds more alive below 85dB.I tried a 24 watt LM219ia on my 86db very easy 6ohm Maggie 20.7s… nice when there was just a girl and a guitar but other than that Jose also wasn’t having a bar of it. The essential drive was missing in action… as lovely as certain moments were. Same SET amp on the Devore 0/96 upstairs was rocking the room with plenty of verve. But a hell amp to carry up stairs though