bonzo75,
Copy from my profile:
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My major analog equipment is predominantly of Swiss origin:
Two vintage Thorens players, one TD 127 and TD 520, each with modified SME 3012R tonearms. An MC-MM transformer and a tube phono stage complete the analog chain.
The rest of the electronics is British: NAIM, incl. a CD player + the speakers are active LINN 350A.
cartridges are: : a wide choice of BENZ, KOETSU, Ortofon SPU and others, including some shellac cartridges .
And from a previous “collection activity” are still two modified REVOX 291 TT’s around: so-called "Empire Scientific MC Reference" models.
Various tuners are also always in operation, as well as I have some headphones.
Music:
Classical, opera and others , Dixie Jazz, British Brass, Folk, and "a variety of “Acoustical music "
(NO "electronic" rock, pop and modern stuff)
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Benz Micro: I had an older "LP", which I'm about to sell (Reason: the LP is not very compatible with my Airtight SUT) I still own an “Ebony TR”, with very low output, which is specifically meant to be used with an SUT (TR= Trafo !!)
KOETSU: Rosewood Signature Platinum, and an ONYX “Stone body”, both are my current “highlights”.
SPU: As mentioned this is the Anniversary A95. Optically of course a real eye-catcher on an SME 3012R…
Phono- MM-Tube-Amp from Audio-Note
As I’m also playing shellac records, the TD 127 is normally equipped with an (S)PU Mono CG 65, cartridge, or other shellac capable cells.
(The TD 520 would of course also play shellacs, but I'm too lazy to alter the counter weights & tracking weight. On the TD 127 I can adjust the “Swing-behaviour" of the chassis – An off-centre 12“ shellac spinning with 78 RPM can be a very wobbly & oscillating affair….)
Regards
Urs