He has Reference 3A Reflektors and you want an under 10k system? Isn’t this like a 12 or 15k speaker? It is also very tube friendly, so a good tube integrated, maybe with phono shoukd be a main choice.
System for Under US$10,000 MSRP
- Thread starter Ron Resnick
- Start date
Going against the high-end audio grain in favour of practicality, would these KEFs (LS 60) not do the job? They're about 4.5k and include everything - bar the TT & phono.
A mid-range Pro-Ject or entry level Clearaudio (c. 2.5k) with cartridge included + a MF phono (1k) and some wire to connect the phono to the speakers -- and it's done (or, "and Bob's your uncle" to be more colloquial!)
Shame to let those 3As go, though.
A mid-range Pro-Ject or entry level Clearaudio (c. 2.5k) with cartridge included + a MF phono (1k) and some wire to connect the phono to the speakers -- and it's done (or, "and Bob's your uncle" to be more colloquial!)
Shame to let those 3As go, though.
I have listened to several Yamaha amps, both old and new, and even Yamaha home theater receivers (I have owned three) using the bass panel of the Analysis Epsilon speaker as full range driver (very Maggie like with conducting traces in polyester membrane and about the same efficiency) and they all sound excellent and play well.
The receiver cited has Yamaha's circlotron MOSFET amplifier, which is quite a step up from probably all except the Yamaha B2 (and maybe even that) with a decent power rating and is used in it's top end integrated amplifiers, but I have not heard it myself.
Your friend sounds like he wants plug and play with good results, not necessarily stellar audiophile fussing. It doesn't sound like he would want to get involved with tubes if he just wants a 'plug in' cartridge. Also, aside from the convenience factor, there isn't much to go on in terms of his audio knowledge spectrum or audio product history. You make it sound like he just wants to punch two buttons, maybe put on a record and flop and listen. The cited products can be as simple as that if desired, but can also allow browsing music with all the other sources if desired.
Nice dis on the 'Japanese receiver' implication, though. I thought that sort of stuff was in the past.
Whole system for 3200 euros sounded amazing for the money .
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maybe he read all those text descriptions and bought them, and realised the descriptions were misleading for his tastes
Missed this earlier Jack but had thought similar on the 3As… but also adding subs would be a great move… for a pianist the subs would get it into the right sonic ballpark and bring the left hand drive and power. Also if he had friends over they could even go for a night of old school EDM… perfect!
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LOL! Too many audiophile cooks delivering the Rx, as usual. Imaginations generally start at 20K at least and anything less is a boom box. If he is a lawyer, tell him the audio retainer is 30K at least, it should sound like spare change, especially in a place like Manhattan.
Thank you.
I don't know what he has. I wrote "I think."
He has some 25 year or 30 year old speaker from Reference 3A.
If Reflector is the expensive model he definitely does not have that one.
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That's totally fine, and fully expected. That's what a thread like this consciously solicits.
What I don't understand is why people don't pay attention to what they read. How many posts here talk about "vintage" or "used"? How many posts here add "digital" or "streaming" to the mix?
Sometimes people have to think inside the box.
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That circuit must explain my different experience (see below).
Thank you for explaining.
My first high-end loudspeakers were Magnepan MG-IIIAs. Before I put on them my first high-end amplifiers -- Manley 150s -- I tried out of curiosity my Yamaha receiver.
With that Yamaha receiver I had sound came out of the Magnepans, but it sounded terrible. The Japanese receiver I had did not work on those speakers.
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Thank you for explaining.
I thought "purchase a brand new stereo system" would make clear that he did not want to buy used, but I understand the innocent misunderstanding.
That's totally fine, and fully expected. That's what a thread like this consciously solicits.
What I don't understand is why people don't pay attention to what they read. How many posts here talk about "vintage" or "used"? How many posts here add "digital" or "streaming" to the mix?
Sometimes people have to think inside the box.
why is vintage being confused with used? Do you think buying the Dutch restored EMT 927 that Tang bought from the restorer, or Schopper TD124 directly from Schopper, is buying used similar to buying an used Brinkmann, Kuzma or Techdas off the Gon, or similar to buying them new from a dealer/manufacturer
Partially agree. If you are buying commercially off dealers, the standard low budget guy is not going to be buying quality records, and chances are his system at low budget will not be transparent to recordings. So might as well not spend too much on the TT. And if it is transparent to recordings and a smart system put together, then a TD 124 or Garrard 301 will suffice.
If you have a decent budget, after a certain level the TT impact wears off - the cartridge and records and signal path play a greater impact. So again, there is no point overspending. You could for the pride of ownership, but the sonic contribution plateaus after a certain level.
Probably the DeCapo or the Royal Master Control. The Royal Master Control and the Master Control MMC (I once owned those) are very good. The DeCapo is a cheaper version of the other two.
In both my cases, the digital is a just an added bonus from selecting a good integrated. I think integrated amps make more sense here due to more value for the dollar with a tight budget.That's totally fine, and fully expected. That's what a thread like this consciously solicits.
What I don't understand is why people don't pay attention to what they read. How many posts here talk about "vintage" or "used"? How many posts here add "digital" or "streaming" to the mix?
Sometimes people have to think inside the box.
Part of my logic was to put more money than expected into the turntable. I think that makes a nice difference. If he is going single source then max out the table and cart.
My first high end loudspeakers were MG-IIIas as well!
Sold to me by the famous Mike Kay of Lyric fame.
Not that particular model but I have heard the $11K Fynes at Jim Smith's house with a Pass Labs INT-60. You can simply not believe how good it sounds!
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