You were telling us about "yet again a platform for stereotypical opposition between the good and bad audiophiles."
Is this about the personalities, or is it about the opinions of those in this discussion? We are sharing our opinions here based on what we hear from shared videos. Those opinions differ. It is part of the pretty panoply in which we live.
It is certainly not about personalities. I'll elaborate later, for now, some recordings of this annoying song...
My system is a work in progress, I have my own thoughts on its limitations, and all constructive criticism is welcome! Fire away, but remember, we are all "audiophiles"!
First video is taken from my listening position with my Tascam DR-100 MKIII recorder and Superlux S502 microphones.
Second video is taken with the microphones placed 1.2m closer to the speakers, and the speakers toed-in slightly more so the microphone diaphragms are in the speaker axis. Since the mics are closer, I reduced the volume by 3db but made no attempt to volume match the two recordings.
Are the use of better microphones of any interest here ? I think so - the frequency response of the microphones don't alter as much the sound. My phone's build-in microphones are terrible and I see no point in making a comparison video with those, you can just take my word for it. I don't have an iPhone! With all these microphones, however, the bass is probably rolled-off.
Does the change in the microphone placement have any effect ? I think so too, but that will depend on the microphone used, the way the speaker interacts with the room, and the way the listening position is "acoustically" optimized or not.
As you can see in the link below, these Superlux microphones are angled at 110 degrees, and from the listening position they are not facing the speakers. I am going to assume that the way they interact with the room is different to our ears (and that is the case with ALL microphones) - which setup is more representative of the listening experience ? I don't know... There are other variables at play, so there are probably some pros and cons to each setup.
Micros à condensateur appairés Couple ORTF, Capsules appairées de directivité cardioïde, Angle 110º, Réponse en fréquence: 40 Hz - 20 kHz, SPL max: 135 dB, Nécessite une alimentation Phantom, Connectique XLR 5 broches, Câble XLR 5 broches vers 2...
www.thomann.de