I heard Ozawa conduct the Asterism by Takemitsu with Takahashi as pianist, with the San Francisco Symphony. It was before Ozawa became music director of the SFS, so probably in 1969 or early 1970. It was quite memorable, mostly because Ozawa and Takahashi had to stop somewhere in the middle of the piece, when someone (or maybe both) got lost or disconnected. Ozawa went over to the piano with the score and they were in discussion about where they were for what seemed to be a long time (probably a minute or less). Then the piece restarted. I think this is the only time that I ever saw or heard something like this happen in my 60+ years of concert going. The piece itself was way out of my experience listening (especially with Joseph Krips being the music director of the San Francisco Symphony.)
His Stravinsky leaves me unravished. Cold, lifeless but competent performances. FWIW.Ravishing performances here, music from three ballets produced by Ballet Russes in Paris in the period 1911 to 1913, so this is home territory.
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That makes two of us.His Stravinsky leaves me unravished. Cold, lifeless but competent performances. FWIW.
For Divertissement, I like Fiedler. For Escales, Munch or Ormandy. For a vivacious collection in modern sound, try this:View attachment 127011
Light, bouncy, and enjoyable music -- worthy of attention. The perd=formance leaves to be desired (a bit on the flat side).
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