Checked it, thanks
So why do you make your assertion? Not looking to argue, just looking to understand the basis of claim
Sorry for the delay!
Metallurgy is the prime factor in how a cable will sound, UPOCC silver is the most resolving material with the least side-effects. The Neotech (and my own wire which is made by Neotech) OCC silver/gold alloy sounds nearly the same but has better tone/timbre. One of the only drawbacks to UPOCC silver is the tone is a little thin, the gold alloying element solves that issue. Other cable companies use heavier gauge UPOCC silver to fix it, both Wireworld and Siltech use 17g UPOCC silver in their highest end interconnect cables, which is huge overkill but gives them the tone they are looking for. Other materials have their own issues that are generally much worse vs UPOCC silver... copper is warm and smooths out detail but KS, Jorma, Tara and others do make some really nice copper cables that approach the resolution of UPOCC silver. Many people prefer that warmth and with a system that uses, just for example, big SS amps and Accuton drivers, the warmth compliments and smooths out some of the drivers imperfections, and the drivers are so detailed to begin with that most don't miss the detail the copper cables smooth out. IMO, and for my goals, which is a system that recreates the acoustics of the recording venue and other fine detail, UPOCC silver goes a long way towards accomplishing my goals and suits my preferences, and suits the systems I tend to prefer as well, which are high efficiency speakers with SET amps.
Also, cables make for poor tone controls because there are side-effects to warmth or brightness... I believe the preamp is the best place to fine tune things to your preferences, using vacuum tubes of course... Cables should be as clear, resolving and neutral as possible for best overall results.