Ahhh Understood …
No, not understood at all. As I said before, Bonzo has no clue. I have heard in total five SET amps, all in people's homes, none at a show.
Of course, if I give specifics Bonzo will say but these are not the right speakers etc., and I don't know nothing etc., etc. etc. That would be a schoolyard-brawl type debate that I have zero interest in. Suffice to say that in all cases the speakers were 100 dB sensitive (with 2 SET amps) or well above (with 3 SET amps).
I’ve actually owned or had long term loans of probably a dozen of them. My best audio friend now owns the $80k Absolares. Just because I don’t like them doesn’t mean you won’t. Why is audio on WBF so one tracked these days.That is super ignorant then. Unless you played them on the wrong speakers. There is no reason to take on someone who is only SETs by just an equally ridiculous opposing statement, and plus selecting to quote the one comment on the thread that had no experience on SETs and generalized on SETs not heard.
you don't need a lot of money to snoop around the set amp life. the audionote kits are good. a couple of 300b tj globshape(500€) driver tubes 150€ and rectifier 5u4g svetlana 30€.for 5k€ new you get a phantastic sound guranteeMentor SET 300B/2a3 Power Amplifier
ankaudiokits.com
KT 88, 66, 120, 150, 170 are all unmusical.
I’ve actually owned or had long term loans of probably a dozen of them. My best audio friend now owns the $80k Absolares. Just because I don’t like them doesn’t mean you won’t. Why is audio on WBF so one tracked these days.
The flip side of the coin is 300B, 45, 2A3 etc are artificial and untrue to the source. . . . But they are creating sounds that are not how the mastering engineer intended for the music to be heard.
No, not understood at all. As I said before, Bonzo has no clue. I have heard in total five SET amps, all in people's homes, none at a show.
+1
Phil Ressler's (213Cobra) tube amp manufacturer in China makes many varieties of low power tube amps in the $2,000 - $5,000 range.
My comment was not meant to be a statement of SET are untrue and creating sounds. I was trying to make the point that peoples perceptions are such that we all seem to gravitate to a sound we like. And then tell everyone who listens to some other sound that they are enjoying euphonic distortions.How do you know? Maybe a particular mastering engineer actually knows what musically convincing audio sounds like, and he intended an SET sound?
The Found Music is along the lines of any of theae. But it was a lot more. It semed to have more drive and percussion. More inner detail. I was very pleased by the 300B and 45 I heard. Very nice and my flavor. On the 45 we were listening to a lot of Punk. So its hard to say inner detail. But the speed, pop and grit was all there. The 300B more jazz/singer type music. Neither made me say I have to have it. But I would happily enjoy them.
Whammerdyne 2A3. Forgot the speakers, a fully custom 45 on horns. Airtight 300B on DeVore.
i find all the Dagostino wilson magico boulder type systems I heard relatively slower with far less punch and thrust. But that is on matching extremely agile SETs or low watt PPs on efficient speakers where the drivers require very low grip and can move a lot of air with less movement.Someone who likes Dagostino/Wilson/Magico/Boulder would probably find it not their taste. But I bet they would go home and put on the same album and wonder why they can't hear some things they heard with mine. What I don't hear out of mine those Dag/Boulder type systems bring is visceral punch and thrust. And a sort of inky black background.
You mean the ones for which Keith doesn't go
They don't have enough power for the Fynes.
You mean the ones for which Keith doesn't go
A good example of SET and efficient speakers is Jeff’s JBL Hartsfield system in his new room. You have heard that system. I think Keith, Ron and Al have also heard it.
when I was there it had work to be done on crossover and finding the right amp.
next we will hear from Al that analog is just coloured and limited dynamic range
not unmusical; less musical
It is unsurprising that does not maintain the musical purity of 2 watts and 5 watts.
Prefer to have my tubes/electrons schooled in a house of whores as they know when and where to play the part. I worked in a Catholic School while attending Norte Dame. While I respect the sisterhood they only know one act.Yes, known since long. Electrons in 2 watt and 5 watt amplifiers are educated in schools of nuns, electrons in 100 watt and 350 watt are trained in whorehouses. How could they be pure?
I would love to know where Lamm trained their 32 Watt amplifier electrons, but it is well kept secret.